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'Dead Season' by Vitaly Bezpalov & Karina Azizova at Spas Setun, Moscow
Installation view
Installation view
Vitaly Bezpalov, He loved to look, he loved the sight of blood and tears II, 2022, glass, artificial blood, cigarette butts, dimensions vary
Vitaly Bezpalov, The Short Night of Glass Noise (detail), transparent film, bottle of cider, Art of Working Class newspaper, Nostradamus book, cigarette butts, artificial blood, mixed media, dimensions vary
Vitaly Bezpalov, He loved to look, he loved the sight of blood and tears II, 2022, glass, artificial blood, cigarette butts, dimensions vary
Vitaly Bezpalov, The Short Night of Glass Noise (detail), transparent film, bottle of cider, Art of Working Class newspaper, Nostradamus book, cigarette butts, artificial blood, mixed media, dimensions vary
Vitaly Bezpalov, The Short Night of Glass Noise (detail), transparent film, bottle of cider, Art of Working Class newspaper, Nostradamus book, cigarette butts, artificial blood, mixed media, dimensions vary
Karina Azizova, ups and downs of mother-daughter ratio, 2020, watercolor on photo paper, 21 x 29 cm
Karina Azizova, ups and downs of mother-daughter ratio (detail), 2020, watercolor on photo paper, 21 x 29 cm
Karina Azizova, ups and downs of mother-daughter ratio, 2020, watercolor on photo paper, 21 x 29 cm
Installation view
Vitaly Bezpalov, Corruptible Bodies (Only That Which Falls Can Rise Again) I, 2022, sawdust, ashes, and colored pencils on sandpaper, 23 x 28 cm / Karina Azizova, fire rat 1996 forever 1, 2019, matte print on aluminum dibond, 18 x 25 cm
Vitaly Bezpalov, Corruptible Bodies (Only That Which Falls Can Rise Again) I, 2022, sawdust, ashes, and colored pencils on sandpaper, 23 x 28 cm
Installation view
Vitaly Bezpalov, Corruptible Bodies (Only That Which Falls Can Rise Again) II, 2022, sawdust, ashes, and colored pencils on sandpaper, 23 x 28 cm
Karina Azizova, fire rat 1996 forever 2, 2019, matte print on aluminum dibond, 18 x 25 cm / Vitaly Bezpalov, Corruptible Bodies (Only That Which Falls Can Rise Again) II, 2022, sawdust, ashes, and colored pencils on sandpaper, 23 x 28 cm
Karina Azizova, fire rat 1996 forever 1 & 2, 2019, matte print on aluminum dibond, 18 x 25 cm
Installation view
Spas Setun gallery sign, Installation view
Karina Azizova, fire rat 1996 forever 2, 2019, matte print on aluminum dibond, 18 x 25 cm
so I have energy
to breathe.
. . . .
Going real slow
by foot down river
fumes belching
out of Moscow.
Heavy guards around
your smokestacks.
— Jim Dine, Travel Dust
4.11.22
curated by Jenya Koinova
Spas Setun
4.11.22 curated by Jenya Koinova [Spas Setun](https://spassetun.com/)
Jenya Koinova
Karina Azizova
Moscow
Russia
Spas Setun
Vitaly Bezpalov
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