'Dead Season' by Vitaly Bezpalov & Karina Azizova at Spas Setun, Moscow

Installation view

Installation view

Vitaly Bezpalov, He loved to look, he loved the sight of blood and tears II, 2022, glass, artificial blood, cigarette butts, dimensions vary

Vitaly Bezpalov, The Short Night of Glass Noise (detail), transparent film, bottle of cider, Art of Working Class newspaper, Nostradamus book, cigarette butts, artificial blood, mixed media, dimensions vary

Vitaly Bezpalov, He loved to look, he loved the sight of blood and tears II, 2022, glass, artificial blood, cigarette butts, dimensions vary

Karina Azizova, ups and downs of mother-daughter ratio, 2020, watercolor on photo paper, 21 x 29 cm

Karina Azizova, ups and downs of mother-daughter ratio (detail), 2020, watercolor on photo paper, 21 x 29 cm

Karina Azizova, ups and downs of mother-daughter ratio, 2020, watercolor on photo paper, 21 x 29 cm

Installation view

Vitaly Bezpalov, Corruptible Bodies (Only That Which Falls Can Rise Again) I, 2022, sawdust, ashes, and colored pencils on sandpaper, 23 x 28 cm / Karina Azizova, fire rat 1996 forever 1, 2019, matte print on aluminum dibond, 18 x 25 cm

Vitaly Bezpalov, Corruptible Bodies (Only That Which Falls Can Rise Again) I, 2022, sawdust, ashes, and colored pencils on sandpaper, 23 x 28 cm

Installation view

Vitaly Bezpalov, Corruptible Bodies (Only That Which Falls Can Rise Again) II, 2022, sawdust, ashes, and colored pencils on sandpaper, 23 x 28 cm

Karina Azizova, fire rat 1996 forever 2, 2019, matte print on aluminum dibond, 18 x 25 cm / Vitaly Bezpalov, Corruptible Bodies (Only That Which Falls Can Rise Again) II, 2022, sawdust, ashes, and colored pencils on sandpaper, 23 x 28 cm

Karina Azizova, fire rat 1996 forever 1 & 2, 2019, matte print on aluminum dibond, 18 x 25 cm

Installation view

Spas Setun gallery sign, Installation view

Karina Azizova, fire rat 1996 forever 2, 2019, matte print on aluminum dibond, 18 x 25 cm

so I have energy

to breathe.

. . . .

Going real slow

by foot down river

fumes belching

out of Moscow.

Heavy guards around

your smokestacks.

— Jim Dine, Travel Dust

4.11.22

curated by Jenya Koinova

Spas Setun

Jenya Koinova Karina Azizova Moscow Russia Spas Setun Vitaly Bezpalov

'Dead Season' by Vitaly Bezpalov & Karina Azizova at Spas Setun, Moscow

'ABSINTHE', Group Show Curated by PLAGUE at Smena, Kazan

'Pupila' by Elizabeth Burmann Littin at Two seven two gallery, Toronto

'Auxiliary Lights' by Kai Philip Trausenegger at Bildraum 07, Vienna

'Inferno' by Matthew Tully Dugan at Lomex, New York

'Зamok', Off-Site Group Project at dentistry Dr. Blumkin, Moscow

'Dog, No Leash', Group Show at Spazio Orr, Brescia

'Syllables in Heart' by Thomas Bremerstent at Salgshallen, Oslo

'Out-of-place artifact', Off-Site Project by Artem Briukhov in Birsk Fortress, Bi

'Gardening' by Daniel Drabek at Toni Areal, Zurich

'HALF TRUTHS', Group Show at Hackney Road, E2 8ET, London

'Unknown Unknowns' by Christian Roncea at West End, The Hague

'Thinking About Things That Are Thinking' by Nicolás Lamas at Meessen De Clercq,

‘Funny / Sad’, Group Show by Ian Bruner, Don Elektro & Halo, curated by Rhizome P

'Don’t Die', Group Show at No Gallery, New York

'Almost Begin' by Bronson Smillie at Afternoon Projects, Vancouver

'I'll Carry Your Heart's Gray Wing with a Trembling Hand to My Old Age', Group Sh

'hapy like a fly' by Clément Courgeon at Colette Mariana, Barcelona

'Fear of the Dark' by Jack Evans at Soup, London