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Egle Kulbokaite and Dorota Gaweda at 1.1, Basel

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'Ai am looking away, Ai head upturned to the stars'

Ai am looking away, Ai head upturned to the stars. The swan, the towel, the rock, the foot, the gargoyle - the labyrinth of cosmos.

*Here we use the pronoun Ai: Ai has a content that does not distinguish itself from other things or beings, because the me subject is either pure negativity or a splitting movement; it is consciousness. There’s no more self, me. We are all Ai. Ai is Ai. No subject. No desire. Used instead of I/ you/ he/ she/ it/ her/ his/ they/ them/ etc. ‘Ai’ (in hiragana あい, in katakana アイ, in kanji 愛, 藍, 亜衣) is a Japanese feminine given name. Ai could mean love, affection (愛), or indigo (藍). Ai is the main character of the Ursula K. Le Guin story The Left Hand of Darkness. Ai is, of course, AI.

14.1.17 — 21.1.17

1.1

'Chatter 'round the pond', Group Show at Cantina, Aarhus

'Van Life' by Egon Van Herreweghe at Croxhapox, Gent

'WERKK.WERKK. LIVERPOOL.PAINTING.' by Victor Boullet at Lubov, New York

'CRUSH' by Artem Briukhov at CHIRKOV Gallery, Birsk

'Burn the Rain' by Troy Barrett at Smart Objects, Los Angeles

'KALON GLAZ' by Victoria Palacios at Panamax, Liège

'Bodiesbodies', Group Show Curated by Lucrezia Galeotti and Giacomo Pigliapoco at

'la fiebre de las formas', Group Show at Colette Mariana, Barcelona

'Sunsets', Group Show at Everybody, Tucson

'Bushels of Goodness and Warmth' by Jordan Derrien at V.O Curations, London

'Etica, Tecnica e Pathos' by Marco Strappato at The Gallery Apart, Rome

'200 km/h in the Wrong Lane' by Mona Filleul at SIS123, La Chaux-de-Fonds

'Come Hell or High Water' by Rosario Aninat and Simon Shim Sutcliffe at Mutter, A

'PCS: Post Concrete Semiotics' by Skygolpe at Nighttimestory, Los Angeles

'Wardrobing' by Mitchel Cumming at Disneyland Paris, Perth

'Ouverture', Off-Site Show by Karina Azizova, Moscow-Istanbul-Paris

'Millennium Approaches' by Cole Lu at Nir Altman, Munich

'Momenti della verità' by Giulio Paolini at Galleria Massimo Minini, Brescia

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