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'Purify/Rot' by Elin Gonzalez at Lucas Hirsch, Düsseldorf

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Dear E.,

I took the steeper route home this evening to avoid a black cat. In the old castle on the other side of the valley I noticed flickering lights.

I spent a long time reading and looking at the text fragments and images that you sent me. I must confess, a feeling of anxiety came over me while examining them, that would not dissipate too quickly. Your turn toward the dance of the dead and the alterable states of physical existence gave me a sense of grim inevitability.

The moldy flesh hangs shredded from the bones of your dancing skeletons, the materiality of their bodies is more similar to that of the forest floor than the plants that grow from it. You pointed out to me that all of your skeletons do slightly smile, which makes them appear almost gleeful. It’s true. Their dizzying dance and the medieval tones of their music have a joyous effect and are filled with levity. It is as if, with the decomposition of their cellular bodies, they have come closer to a purified state. We become a fertile soil.

The longing to be salvaged by the human form’s transition into that of the plant is, at the heart of it, a longing for the earthly in timeless accord; the desire to measure up to all the conditions of becoming and—perhaps anxiously—to listen to the old, silent music.

Sink into contemplation of the diverse forms of life on a small patch of the forest floor. Pay attention to the smallest detail. Count what can be seen and begin to discern the heaps of individuals contained within the multitude. Discover the different kinds of lichens. Count the scales of the pine cones and the legs of the critters. Notice the reflections in the fresh resin and, depending on the season, the small lacerations and growths on the skin of individual fungi. Notice thorns and moths, spider eggs, and the scattered pebbles’ pattern. The coherence you long for, can be anticipated here at least.

Blend these ingredients in accordance to the ancient rituals. From the amalgam that they form under the influence of your thoughts and sayings, shapes will emerge that are, like the egg, impure figures of transition. They have not yet completed the process of dissolution. They are in the process of becoming, and they sense that by the time they are to reach the state of complete purity, they will no longer be.

F.

10.3.18 — 27.4.18

Lucas Hirsch

'ABSINTHE', Group Show Curated by PLAGUE at Smena, Kazan

'Pupila' by Elizabeth Burmann Littin at Two seven two gallery, Toronto

'Auxiliary Lights' by Kai Philip Trausenegger at Bildraum 07, Vienna

'Inferno' by Matthew Tully Dugan at Lomex, New York

'Зamok', Off-Site Group Project at dentistry Dr. Blumkin, Moscow

'Dog, No Leash', Group Show at Spazio Orr, Brescia

'Syllables in Heart' by Thomas Bremerstent at Salgshallen, Oslo

'Out-of-place artifact', Off-Site Project by Artem Briukhov in Birsk Fortress, Bi

'Gardening' by Daniel Drabek at Toni Areal, Zurich

'HALF TRUTHS', Group Show at Hackney Road, E2 8ET, London

'Unknown Unknowns' by Christian Roncea at West End, The Hague

'Thinking About Things That Are Thinking' by Nicolás Lamas at Meessen De Clercq,

‘Funny / Sad’, Group Show by Ian Bruner, Don Elektro & Halo, curated by Rhizome P

'Don’t Die', Group Show at No Gallery, New York

'Almost Begin' by Bronson Smillie at Afternoon Projects, Vancouver

'I'll Carry Your Heart's Gray Wing with a Trembling Hand to My Old Age', Group Sh

'hapy like a fly' by Clément Courgeon at Colette Mariana, Barcelona

'Fear of the Dark' by Jack Evans at Soup, London

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