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'Frail Scribe' by Trevor Bourke at Elysian Hydraulics, Ogden

A mist of memory rests thick over the venerated icons of reason. A fracture split through language and meaning feels simultaneously humourless and banal in its restitution of images. Here in the depths of a defunct coal room, a woman snarls and scoffs at our entrance, warning any who see her that within the fog, battles between absolutes and suspicion sway reason in any which way. A sign of admonition desires reaction and never ceases in its effectiveness to redirect vain intuition. It remains inaccessible to those who toil at the periphery of survival and devotion, propelling them towards the unknowable.

10.5.21

Elysian Hydraulics

'CMV' by Samuel Chochon at Atelier Myriam Boccara, Paris

'Your Fate' by Hanna Umin at mcg21xoxo, Chiba

'But I doubt, I tremble, I see (shaking edges) and the wild thorn tree' by Giulia

'Heiligenschein' by Riccardo Sala at Almanac Inn, Turin

'Terrain Amère' by Lulù Nuti at GALERIE CHLOE SALGADO, Paris

'The Matrix' by Richard Sides at Schiefe Zähne, Berlin

'¡el siguiente!' by KOTZ - aka THE LOBSTER GANG at Plague Space, Krasnodar

'Impatience of the Future' by Shore x Zeller van Almsick at Spitalgasse 27, Vienn

'Infuse, un-title, selection' by Tim Bučković at Discordia Gallery, Melbourne

Episode 7 'Un soffio pestifero nel cielo nero della notte, una candela brucia' by

'The Harvest' by Mauricio Muñoz and Andrew Roberts at Delaplane, San Francisco

'Forever Fever' by Lili Huston-Herterich at Peach, Rotterdam

'The Anticipation' by Daria Melnikova at 427, Riga

'Languer' by Rada Koželj and Germana Frattini with a text by Roberta Mansueto at

'Appendix Songs', Group Show Curated by Tom K Kemp at PuntWG, Amsterdam

Joey Holder: ‘I hope that art can continue to question the dominant structures’

'Isengart' by Martin Chramosta at Stiege 13, Vienna

'jittering at dusk' by Séverine Heizmann at Kirchgasse, Steckborn

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