Justine Neuberger, The Swan (no. 17), 2020, Oil on canvas, 24 × 24 inches (60.96 × 60.96 cm)
Louis Osmosis, Zipped Bread Device #3, 2020, Sliced bread, shellac, hot glue, epoxy, zippers, acrylic vitrine, plywood, screws, polyurethane / Zipped Bread Device #2, 2020, Sliced bread, shellac, hot glue, epoxy, zippers, acrylic vitrine, plywood, screws, polyurethane / Zipped Bread Device #1, 2020, Sliced bread, shellac, hot glue, epoxy, zippers, acrylic vitrine, plywood, screws, polyurethane
Vijay Masharani, 4 generations bum tickers (Mum’s Side). so, I’m eating around the yolks, across the board, through it. Out, 2020, Graphite on paper, 9 × 12 inches (22.86 × 30.48 cm) (framed)
Justine Neuberger, Time Fetish 2, 2020, Oil on canvas, 29 × 18 inches (73.66 × 45.72 cm)
Justine Neuberger, If your memory serves you well, 2020 Oil on canvas, 29 × 20 inches (73.66 × 50.80 cm)
Vijay Masharani, ¡t’s the alt-r¡ght r¡ck rub¡n, 2020, Graphite on paper, 9 × 12 inches (22.86 × 30.48 cm) (framed)
Justine Neuberger, Scroll of Fire (after Bialik), 2020, Oil on canvas, 34 × 72 inches (86.36 × 182.88 cm)
Louis Osmosis, Satellite, 2020, Plasma-cut satellite, 43 × 30 × 26 inches (109.22 × 76.20 × 66.04 cm)
Louis Osmosis, One Hundred Dollars (Money Heart), 2020 Dollar bills, papier-mâché, polyurethane foam
Installation view
Installation view
Installation view
Installation view
Installation view
Installation view
Installation view
Installation view
Free Fall revolves around the notion of the free fall, and the sensations of groundlessness and disorientation that spring from it. The exhibition features three artists, Vijay Masharani (b. 1995), Justine Neuberger (b. 1993), and Louis Osmosis (b. 1996), who each grapple with disruption as a generative conceptual and compositional mode. Through painting, audio, sculpture, and drawing, they explore frantic, promising new relations between space and temporality. “In falling,” writes Hito Steyerl, “the lines of the horizon shatter, twirl around, and superimpose,” and its symptom is not one of collapsing but, rather, of floating - an extra-worldly suspension in which time thickens, fused to motion. [1] Perspectives shatter, and modes of seeing are transformed and invigorated. This lack of horizon is both destructive and productive: to fall is a state of activation.
— Quinn Schoen
[1] Hito Steyerl, “In Free Fall: A Thought Experiment on Vertical Perspective,” e-flux journal, issue 24 (April 2011).
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