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Garden Cult Triennale, Chapter II: Baden-Baden, Germany

Around 2000 years ago, the Romans were riding along the Upper Rhine Plain to expand their empire. The Black Forest was to pass, and a suitable occasion had to be found. Seduced by the hot waters that gush from the deep earth, the Romans settled to build a bath-bath at this gate to the woodz. AQUAE, where mother earth is sweating and is heating up the coldest nights.

The times ate the Romans but were blocked by branches rich of leaves that kept the myths over centuries and will hide the secrets of the black forest from curious gazes for its wife, the eternity.
Circling around, streaming for nothing, the blackest nights are dreamed under the trees that whisper the universe’s codes and provide shelter to the stories that are never to be found true or false.
Beyond the categories of the Roman minds, the second chapter of Garden Cult Triennale plays at one of the gates to this forest aforementioned.

— Alex Pilarski

Trin Alt, Alex Djidjewdjew, Zuza Golińska, Bernhard Holaschke, Julia Jachowicz, Magdalena Los, Pablo Schlumberger

Curated by Garden Cult Triennale

'CRUSH' by Artem Briukhov at CHIRKOV Gallery, Birsk

'Burn the Rain' by Troy Barrett at Smart Objects, Los Angeles

'KALON GLAZ' by Victoria Palacios at Panamax, Liège

'Bodiesbodies', Group Show Curated by Lucrezia Galeotti and Giacomo Pigliapoco at

'la fiebre de las formas', Group Show at Colette Mariana, Barcelona

'Sunsets', Group Show at Everybody, Tucson

'Bushels of Goodness and Warmth' by Jordan Derrien at V.O Curations, London

'Etica, Tecnica e Pathos' by Marco Strappato at The Gallery Apart, Rome

'200 km/h in the Wrong Lane' by Mona Filleul at SIS123, La Chaux-de-Fonds

'Come Hell or High Water' by Rosario Aninat and Simon Shim Sutcliffe at Mutter, A

'PCS: Post Concrete Semiotics' by Skygolpe at Nighttimestory, Los Angeles

'Wardrobing' by Mitchel Cumming at Disneyland Paris, Perth

'Ouverture', Off-Site Show by Karina Azizova, Moscow-Istanbul-Paris

'Millennium Approaches' by Cole Lu at Nir Altman, Munich

'Momenti della verità' by Giulio Paolini at Galleria Massimo Minini, Brescia

'Dead Mall Nails' by Anastasia Sviridenko and Lukas Malte Hoffmann at Formis, Tam

'scaling winter' by Littlewhitehead at Public Gallery, London

There’s the limitation where all marks must be permanent. Michael Bussell in con

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