image text special shop

'Golden Sorrow' by Soshiro Matsubara at UNION PACIFIC, London

For his first solo exhibition with the gallery, Japanese artist Soshiro Matsubara has transformed both floors into an expanded installation of sculptures and paintings. ‘Golden Sorrow’ accumulates a decade’s worth of enquiry into the brief, tumultuous love affair between Austrian artist Oskar Kokoschka and composer Alma Mahler. They appear in countless iterations of artworks, their love an ever-beguiling tale about loss, hope and agony that continues to excite him. 

Matsubara’s preoccupation with ceramic busts is partly inspired by Kokoschka’s act of desperation to lure Mahler back after their break up. When returning from service in the Great War, his lovesickness sparked him to commission a life-size doll of her, which he’d eventually decapitate in a drunken rage. Much of Matsubara’s fascination for Koko- shka’s eccentricities extends into his artworks. He uses a range of metallic glazes, cos- tumes and artificial hair to present the couple in his own frenzied inventions. He adopts their love affair almost as his own, the artworks acting as props in his own fictionalised version of their story with a rejigged denouement. 

As each Matsubara exhibition passes, the plot thickens: in previous presentations, his muses are displayed flirting, or else they gaze solemnly at one another. Here, they’re in- separable, fused tightly together in clay and paint. To represent a spectrum of passions and emotions, the two floors are treated comparatively – upstairs, a labyrinthine pink maze houses ceramic figures on rug pedestals; a sparser downstairs counters with low- hanging lamps casting glittered light onto paintings. Matsubara’s attraction to their story alters with his every rendering of it, while each person who enters reinvents it again with their own understanding. And so the story twists again, with its hearsay, confusions, regrets and remorse... 

— Ted Targett 

1.7.22 — 5.8.22

Union Pacific

'Green Belt', Group Show Curated by Em Marie Davenport at Jargon Projects, Chicag

'Cellular' by Andrei Pokrovskii at Plague Space, Krasnodar

'Rest' by Quay Quinn Wolf at Prairie, Chicago

'Bright Lights, Big City & No Fun', Curated by No Gallery at Shoot The Lobster, N

'Eavesdropping' by Adam Cruces at Blue Velvet Projects, Zurich

'QUALITY OF LIFE' by Brad Logan Heappey at Ivan Anthony Gallery, Auckland

'Klammern aus denen Blätter Sprießen', Group Show at Hunter Shaw Fine Art, Los A

'Mirror Runs Mouth' by Cooper Jacoby at High Art, Arles

'A Throw of the Dice' by Arthur Golyakov at Devyatnadtsat’, Moscow

'Lèche-vitrine', Group Show at Cocotte, Treignac

'Masters and Servants', Group Show Curated by Guillaume Breton at Centre d’art Yg

Anna Solal, Arthur Marie Curated by Ilya Smirnov at Lily Robert, Paris

'down4u' by Taka Kono at Ritsuki Fujisaki Gallery, Tokyo

'Controra Ep. I', Group Show Curated by Like A Little Disaster at Palazzo San Giu

'a fairy show II' at Veronica, Seattle

'The Curious' by Marta Frėjutė at VAA gallery Artifex, Vilnius

'The Room', Group Show at South Parade, London

'New Rain' by Littlewhitehead at Nir Altman, Munich

Next Page