image text special shop

'I'm sorry, I didn't quite catch that', a Group Show at Arebyte, London

article image; primary-color: #737574;

Installation view

article image; primary-color: #BDBAB1;

Installation view

article image; primary-color: #84837F;

Installation view

article image; primary-color: #939496;

Installation view

article image; primary-color: #959691;

Installation view

article image; primary-color: #8B8C8E;

Installation view

article image; primary-color: #74787B;

Installation view

article image; primary-color: #A9AAAC;

!Mediengruppe Bitnik, Ashley Madison Angels at Work in London, 2017

article image; primary-color: #BFBDC2;

!Mediengruppe Bitnik, Ashley Madison Angels at Work in London, 2017

article image; primary-color: #A6A299;

Marie Munk, Don't Worry I'm Here, 2017

article image; primary-color: #BDBAB3;

Olga Fedorova, Hot work, 2017

article image; primary-color: #ACA69A;

Harm van den Dorpel, Adoreway, 2016

article image; primary-color: #A3A799;

Harm van den Dorpel, Hybrid Vigour, 2017

article image; primary-color: #919699;

Sarah Derat & Rachel McRae, Digital & Dead, 2017

article image; primary-color: #B7B7B7;

Sarah Derat & Rachel McRae, Digital & Dead, 2017

article image; primary-color: #AFA6A9;

Iain Ball, Lutetium Hyperflag, 2018

article image; primary-color: #8A959B;

Iain Ball, Bold 2in1 Liquitabs / Tide Pods [genus/symptoms/slimefest], 2009/2018

article image; primary-color: #9198A2;

Iain Ball, Bold 2in1 Liquitabs / Tide Pods [genus/symptoms/slimefest], 2009/2018

article image; primary-color: #7A8080;

Iain Ball, Productlaneevol (self titled) [genus/ symptoms], 2009

article image; primary-color: #ADB2AE;

Yuri Pattison, outsourced views, visual economies, 2013-2014

article image; primary-color: #ABAAAF;

Bora Akinciturk, Amber #49, from the collection of The New Seoul Human Confederation Archeological Museum of Ancestor Tech & Modern Life, 2017

article image; primary-color: #BABCBB;

Bora Akinciturk, Amber #49, from the collection of The New Seoul Human Confederation Archeological Museum of Ancestor Tech & Modern Life, 2017

article image; primary-color: #CBCBC9;

Marie Munk, Look At Me!, 2017

article image; primary-color: #9A9B96;

Stephan Backes, Mask (Screen), 2018

article image; primary-color: #B8B9B3;

Stephan Backes, Mask (Screen), 2018

article image; primary-color: #7C7B77;

Stine Deja, Foreigner, 2018

article image; primary-color: #B9BDBE;

Emma Stern, THE END (panoramic render), 2018

article image; primary-color: #B8B0AD;

Anne De Boer, I am breathing, 2017

article image; primary-color: #CCD1D5;

Anne De Boer, breathing-xxxx-am-yyyy-I, 2017

article image; primary-color: #C4CAC6;

Anne De Boer, bhgemIaanrit, 2017

article image; primary-color: #9F9E99;

Marie Munk, I Adore You, 2018

article image; primary-color: #D9D9D9;

Dominic Dispirito, Fag ash folly, 2018

article image; primary-color: #B0B6B6;

Olga Fedorova, Between two islands, 2017

article image; primary-color: #9B9FA0;

Jakob Kudsk Steensen, Pando Endo, 2017

isthisit? in collaboration with arebyte Gallery are pleased to present I'm sorry, I didn't quite catch that, an exhibition curated by Bob Bicknell-Knight featuring 15 national and international artists concerning automated empathy, new age philosophy, digital death and the rise of artificial intelligence in contemporary society.

The exhibition also launched the fourth issue of the isthisit? book consisting of essays, interviews and artist features from 50 contributors discussing the complications and assumptions surrounding AI, the automation of work and the corporatization of an unknown future.

The book features contributions from !Mediengruppe Bitnik, Aaron Vergult, Addie Wagenknecht, Anne De Boer, A. P. Vague, Ben Richards, Bob Bicknell-Knight, Bora Akinciturk, Constant Dullaart, Dominic Dispirito, Eleanor Hill, Elvira Højberg, Émilie Brout & Maxime Marion, Emma Stern, Erica Scourti, Eva & Franco Mattes, Harm van den Dorpel, Iain Ball, Jack Thurland, Jakob Kudsk Steensen, Jamie Jenkinson, Jillian Mayer, Joachim Coucke, Joey Holder, Jonny Tanna, Joshua Citarella, Julia Faber, Marie Munk, Mathew Zefeldt, Mathias Jansson, Mit Borrás, Nina Coulson, Olga Fedorova, Pakui Hardware, Penny Rafferty, Sarah Derat & Rachel McRae, Sid & Jim, Stephan Backes, Stine Deja, Thomas Grogan, Thomas Hämén, Trystan Williams, Wade Wallerstein and Yuri Pattison.

I'm sorry, I didn't quite catch that, a statement of sorts almost ingrained into my mind from wielding an iPhone with the in-built Artificial Intelligence (AI) known as Siri for the past five years. This response, seemingly obtained by silently murmuring into your microphone, will soon become an announcement of the past, an anecdote that Millennials and early Generation Z’s will gleefully tell their screen obsessed children about through their hyper realistic virtual reality goggles, developed by Amazon and distributed via their nearest drone depot. Exaggerated encounters with early AI assistants will proliferate these virtual encounters, the augmented elderly telling of a time that saw Siri and Alexa unable to participate in any given social situation. Simultaneously the in-house AI will refill everyone’s digital glass, laugh politely at the gentle mockery of their ancestors and experience a thousand similar scenarios concurrently occurring across the globe.

A stereotypical scenario akin to this one is inevitable. The introduction of industry 4.0 has seen a revolution in autonomous production, the Internet of Things continues to evolve, intent on establishing smart homes throughout the western world and our lives continue to be shaped and quietly adjusted by unclear algorithms. Will the autonomous world of the future be a utopian paradise, where intelligent AIs and augmented beings work side by side, enabling the widespread adoption of a universal basic income, freeing the world from jobs deemed repetitive and tedious? Alternatively, will we as a race eventually become irrelevant, catering to our complicated human needs whilst mechanical robots rise up, conspiring to push us into a new age of mass unemployment?

.

22.3.18 — 5.4.18

. !Mediengruppe Bitnik, Anne De Boer, Bora Akinciturk, Dominic Dispirito, Emma Stern, Harm van den Dorpel, Iain Ball, Jakob Kudsk Steensen, Marie Munk, Olga Fedorova, Sarah Derat & Rachel McRae, Stephan Backes, Stine Deja and Yuri Pattison . Curated by Bob Bicknell-Knight / isthisit? .

.

'ABSINTHE', Group Show Curated by PLAGUE at Smena, Kazan

'Pupila' by Elizabeth Burmann Littin at Two seven two gallery, Toronto

'Auxiliary Lights' by Kai Philip Trausenegger at Bildraum 07, Vienna

'Inferno' by Matthew Tully Dugan at Lomex, New York

'Зamok', Off-Site Group Project at dentistry Dr. Blumkin, Moscow

'Dog, No Leash', Group Show at Spazio Orr, Brescia

'Syllables in Heart' by Thomas Bremerstent at Salgshallen, Oslo

'Out-of-place artifact', Off-Site Project by Artem Briukhov in Birsk Fortress, Bi

'Gardening' by Daniel Drabek at Toni Areal, Zurich

'HALF TRUTHS', Group Show at Hackney Road, E2 8ET, London

'Unknown Unknowns' by Christian Roncea at West End, The Hague

'Thinking About Things That Are Thinking' by Nicolás Lamas at Meessen De Clercq,

‘Funny / Sad’, Group Show by Ian Bruner, Don Elektro & Halo, curated by Rhizome P

'Don’t Die', Group Show at No Gallery, New York

'Almost Begin' by Bronson Smillie at Afternoon Projects, Vancouver

'I'll Carry Your Heart's Gray Wing with a Trembling Hand to My Old Age', Group Sh

'hapy like a fly' by Clément Courgeon at Colette Mariana, Barcelona

'Fear of the Dark' by Jack Evans at Soup, London

Next Page