image text special shop

'In hopes but often in a contradiction. Allegro Agitato' by Daria Makarova
 at ISSMAG, Moscow

A sense of futility permeates the exacerbated physicality of the deeply allegorical work in Daria Makarova’s solo show “In Hopes but often in a Contradiction. Allegro Agitato.” More than anything, the exhibition is redolent of Andrei Tarkovsky’s vision of the future as a version of our own present but put through the wringer, with the materiality at its core stripped bare, confounding us with the same old questions.

Standing in the middle of the exhibition space is Tripod (all works 2021), a Frankensteinian construction assembled out of an old-fashioned disused radiator and myriad torsional tubes that spread like roots in all directions. Some break up, some tangle into a circular loop, and some lead straight into the sewer under the open floorboards. Flanking this central sculpture are Hanged 1 and 2, abstract drawings attached to silicone tablets and suspended from cheesecloth ropes, as well as the text piece Interview, a mysterious, barely legible dialogue printed on simple A4 paper and mounted in a dissonantly ornate frame. Like the surfaces of all the objects in the show, the radiator’s grates are clogged with a lumpy mass of coagulated silicone—it’s a heat source rendered impotent, similarly to how the images and words on view are left blurrily inarticulate under the dull goo. 

Reverberating ambiently throughout the space is an altered version of the instrumental track “Molotov” by 1990’s horror-punk band Korol i Shut (King and Jester). Here, it’s made to sound like the muffled residue of a distant commotion. Rather than carry the incendiary charge of a revolutionary’s cocktail, “Molotov” now strikes the weary tone of the perpetually thwarted—of one who is powerlessly cocooned in a face-off with corporeality. 

— Valerie Mindlin 

12.11.21 — 30.11.21

Photos by Anna Leonova, Victor Moon

ISSMAG

'Ashes to Lashes, Dust to Lust', Group Show at GROVE, Berlin

'Victim of Cosmetics' by Claire Barrow in a repurposed office space, London

'Digital Anomalies' by Nicolás Lamas at FORM, Wageningen

'IT'S DIFFICULT TO EXPLAIN SO I STAY QUIET' by Lukas Glinkowski at Galería Fran R

'The place that can never be' by Anna Taganzeva at Plague Space, Krasnodar

'Chocolate Goblin' by Travis John Ficarra at Glasshouse, Victoria

'MILITARY POP', Group Show at Spas Setun, Moscow

TARGET GROUP SHOW, conceived by Hannes Schmidt at BRAUNSFELDER, Cologne

'DISTIRA' by Irati Inoriza at Galeria Fran Reus, Palma de Mallorca

'Underground Memorandum' by Richard Nikl at Shore, Vienna

'All Watched Over by Emissaries of Loving Grace' by Louis Morlæ at Duarte Sequeir

'itsanosofadog *It’s an arse of a dog' by Amanda Moström, Rose Easton, London

'Deceiving players' by Rimma Arslanov at KOENIG2 by_robbygreif, Vienna

'Sizzling Hot' by Rosa Lüders at 14a, Hamburg

'The Particular Matter of a Pisces Rug' by Kelly Kaczynski at Weatherproof, Chica

'L’oracolo' by Michele Cesaratto at MURKA, Florence

'The Tiler' by Trevor Bourke at Afternoon Projects, Vancouver

'Whaleboat' by Zukhra Salakhova at Daipyat gallery, Voronezh

Next Page