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'The body is a butter brain' by Laura McCoy & Lucas Regazzi at Calaboose, Montreal

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Lucas Regazzi, Open open excellent access, 2019 / I am capable of expansiveness, 2018
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Laura McCoy, Custard and Shame, 2018
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Laura McCoy, Custard and Shame (detail), 2018
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Exhibition view
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Laura McCoy, Sorry Again, 2018
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Laura McCoy, Sorry Again (detail), 2018
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Laura McCoy, Sorry Again (detail), 2018
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Laura McCoy, Sorry Again and Again, 2018
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Laura McCoy, Sorry Again and Again (detail), 2018
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Laura McCoy, Power Down Below, 2018
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Lucas Regazzi, A rosery, 2019
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Lucas Regazzi, A rosery (detail), 2019
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Laura McCoy, Fear with Cream, 2019
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Laura McCoy, Fear with Cream (detail), 2019
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Laura McCoy, Fear with Cream (detail), 2019
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Exhibition view
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Lucas Regazzi, ____________, 2019
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Lucas Regazzi, ____________ (detail), 2019
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Lucas Regazzi, Sun Scratch, 2018

If you feel good when you first wake up it’s because it’s an opportunity to exercise discernment. The inner critic and inner amnesiac squabbling in the sun. 

Thriving is persisting with doubt.

Look, your eyes can be raw and useful, or comforting little spoons. Blinking is medicine and fertilizer for whatever range of motion is for you. Making some art is rehearsing for being. Sometimes you rehearse in the window or on your phone, for whoever happens to be out there. Squatting and reaching. It’s important to rest before you sleep. 

Wound up, as when I am like a toy with a key, or whatever fear or food or height gets the heart rate up, I can be wound down. Laid in a box like a paper doll or fork. My heart announcing its faltering range of motion. 

Vital can still be fearful, can still be shy.

Or, just like a duck swimming. Ducklings rehearse being a lot. Young things do. Perhaps new objects do. Hair and nails are dead, insensitive; they collect the day’s material, and grow. 

All postures for reading heavy objects in bed challenge you. Ditto laptops. Keep it moving! Make your ass switch tabs. Record and dictate. Or just sense yourself as a heap. 

This pillow is welcoming and cold. I make you feel welcome by leaving out raw fruit. I sleep energetically beside dishes of sugar water that empty mysteriously in the night.

I mishear that spring comes etymologically from ants springing out of the earth. It was actually plants.

There’s so much to be retrieved from the garden, under the bed, in the recesses of our tender bodies. More and more and more than we know, even with the old pains of digging. 

Pain is a hovering gesture. Love is, differently, too.

— Lena Suksi

6.4.19 — 27.4.19

Calaboose

'Eternal Flame', Group Show at Shore, Vienna

'Cosmovisions', Group Show at Medusa Offspace, Brussels

'No Time To Explain' by Paul Robas at Solito, Naples

'Night Rider' by Yan Posadsky at Devyatnadtsat’, Moscow

'Funding Emotions' by Magnus Frederik Clausen and Kaare Ruud at Cantina, Aarhus

'What I felt for you was love', Group Show at Afternoon Projects, Vancouver

'Mirror Stage' by Bora Akinciturk and Ella Fleck at Shipton, London

‘Millions Now Living Will Never Die!’ by Ian Swanson at Plague Space, Krasnodar

'VEGAN' by Jack Jubb at house of spouse, Vienna

'Fresh Hell' by Jonah Pontzer at Rose Easton, London

'It's quite like Guggenheim', Group Show at Ringcenter 1, Berlin

'OUTER DARKNESS', Off-Site Project by Allyson Packer in 1698 GALISTEO, SANTA FE

'mareas' by Elizabeth Burmann at Galeria Patricia Ready, Santiago

'Vape Cloud Premonition' by Sam Hutchinson at Forth, Nottingham

'Punch-Drunk' by Yutaro Ishikawa at LAID BUG, Tokyo

'Le sort des Labourgue' by Angélique Aubrit & Ludovic Beillard at Les Capucins, E

'All is Full of Love' by Michiel Ceulers at Pizza Gallery, Antwerp

½, Group Show at Devyatnadtsat’ gallery, Moscow

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