image text special

'Like A Sieve', a Group Show at Kupfer, London

We are, these days, extremely proficient in expressing our preferences. Do you like it? Social media is fixated on keeping count of our approvals, and, such is the ubiquity of the thumbs-up, it is hard to not seek the same level of endorsement in non-digital life.

But ‘Do I like it?’ leads to a deadend. It polarises experience, as if everything can be divided into disappointment and satisfaction. So what if, all along, we have been asking ourselves the wrong question..?

Observing is a fundamental activity. We look at what’s around with ‘eyes like a hawk’ scouring for familiarities and similarities, not disappointments and satisfaction, and asking ourselves ‘What is it like?’.

To find a simile is to make a connection, and to make a connection is to reveal something. On reading and hearing similes our minds work to delve deeper, and even the most banal occurrences are rendered surprising and more lucid from irregular comparisons. At the beginning of T.S. Eliot’s poem The Love Song of J Alfred Prufrock he describes a listless evening, ‘Spread out against the sky/ Like a patient etherised upon a table’ and we are excited to discover if the patient will ever recover. It’s a very upmarket way of saying ‘now read on’...

Like A Sieve
– with its allusion to half-forgotten memories – is an exhibition of collage, sculpture, simulacra, pastiche. And, of course, similes. 

25.7.20 — 15.8.20

Jude Crilly, James Jessiman, Nathaniel Faulkner, Madeleine Pledge, Alexie Alexander Izmaylov, Evie Ward

Curated by Ted Targett

Kupfer

'MANIAC' by Émilie Pitoiset at Klemm's, Berlin

'The most weirdest things, make the most beautiful pictures' by Michael Bussell &

'Time Keepers' by Johanna Odersky at Intersticio, London

'Bliss' by Ellande Jaureguiberry at A.ROMY, Geneva

'
The Naked Girl Walking Backwards Like Crayfish' by Chloé Arrouy at NEVVEN ON SI

'Sloan' by Joseph Kusendila at Kantine, Brussels

'Grommets' by Rasmus Røhling at C.C.C., Copenhagen

'Goggelmoggel' by Lukas Schneider at Regatta 2, Dusseldorf

'Catacombs of Love' by Sylbee Kim at MÉLANGE, Cologne

'Kündigung' by Jannis Marwitz at Lucas Hirsch, Dusseldorf

'Fantasy Finery', a Group Show at Berlínskej model, Prague

'A curse in disguise' by Adam Cruces at Disneyland Paris, Melbourne

'Autonomia
' by Kaspars Groševs at Noass, Riga

'Bracket Sentiment And The Technicolor Yawn' by Sophie Serber at Shore, Vienna

‘Exception of (not) being’, Online Show Curated by Essenza Club and Rhizome Parki

'Energy Systems / 3: Safe in the Front End' by Joachim Coucke & Lasse Hieronymus

'Giantess' by Rose Dickson at Melanie Flood Projects, Portland

'Lieber Nackt Als Gefühlsleben' by David Ostrowski at JIR SANDEL, Copenhagen

Next Page