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'Joy Stick' by Lisa Radon at Et Al., San Francisco

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Mountains are not forever. That’s what the sand says as the wave recedes.

Given the set of all manifestations of diversity in a unified continuum.

Given a synthesis of a manifold of relations which cannot be split apart.

Joy Stick, a hypothetical array of improvised levers. Amplifiers. Input devices.

An address of the system. The construction of a portal. To get from here to there, one

must begin, herself, to construct the way.

Remember the future.

Shadow snakes. Did you see them? Children of the alignment of sun and moon. Ripples of darkness across the ground.

When there is an opening, there is an opening.

You can see cracks forming as they have before. As I have come to tell you they will many times again, before we can claim anything like liberation. Each time the fissures violently backfilled and reinforced. That’s what power does. Preserves itself. But after each new breach, when the system reforms in defense, it accommodates inadvertently, incrementally the new input. Erosion is a powerful thing.

Drop by drop.

Consider an insertion into the system. Clinamen trigger. Little levers everywhere.

We learn to recognize each other.

We move lightly.

As free.

We must learn to sharpen our blades.

[1] Under consideration: the proposal of speculative frictions; the exploration/recuperation of deprecated ways and means; the temporary autonomous zone as space for prototyping; projection into the future to imagine alternative presents; the material activation of the immaterial and vice versa.

1.9.17 — 7.10.17

Et Al.

'CRUSH' by Artem Briukhov at CHIRKOV Gallery, Birsk

'Burn the Rain' by Troy Barrett at Smart Objects, Los Angeles

'KALON GLAZ' by Victoria Palacios at Panamax, Liège

'Bodiesbodies', Group Show Curated by Lucrezia Galeotti and Giacomo Pigliapoco at

'la fiebre de las formas', Group Show at Colette Mariana, Barcelona

'Sunsets', Group Show at Everybody, Tucson

'Bushels of Goodness and Warmth' by Jordan Derrien at V.O Curations, London

'Etica, Tecnica e Pathos' by Marco Strappato at The Gallery Apart, Rome

'200 km/h in the Wrong Lane' by Mona Filleul at SIS123, La Chaux-de-Fonds

'Come Hell or High Water' by Rosario Aninat and Simon Shim Sutcliffe at Mutter, A

'PCS: Post Concrete Semiotics' by Skygolpe at Nighttimestory, Los Angeles

'Wardrobing' by Mitchel Cumming at Disneyland Paris, Perth

'Ouverture', Off-Site Show by Karina Azizova, Moscow-Istanbul-Paris

'Millennium Approaches' by Cole Lu at Nir Altman, Munich

'Momenti della verità' by Giulio Paolini at Galleria Massimo Minini, Brescia

'Dead Mall Nails' by Anastasia Sviridenko and Lukas Malte Hoffmann at Formis, Tam

'scaling winter' by Littlewhitehead at Public Gallery, London

There’s the limitation where all marks must be permanent. Michael Bussell in con

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