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'Keep Your Eyes On Your Prizes' by Marisa Kriangwiwat Holmes at Calaboose, Montreal

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Exhibition view
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Exhibition view
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Centipede, 2018
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Centipede, 2018
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Exhibition view
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Fence (with Nick Short, detail), 2018
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Fence (with Nick Short, detail), 2018
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Fence (with Nick Short, detail), 2018
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Exhibition view
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Exhibition view
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Camera 1, 2018
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Camera 1, 2018
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Magic Jockey, 2018
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Magic Jockey, 2018
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Eye Contact, 2018
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Eye Contact, 2018
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Bird Dive, 2018
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Bird Dive, 2018

(GRUNTS) (GASPS) (PANTING) (ALL SHOUTING) (RUMBLING) (POWER SHUTTING DOWN) (PEOPLE CHATTERING INDISTINCTLY) (BOTH GRUNT) JAKE: “Do you believe in a Hail Mary?” (GRUNTS)

From my seat in 29B I’ve got a clear shot of 28C’s media console—a Gerard Butler epic. Yet again, we’ve averted the sixth mass extinction event with only seconds to spare! A few nights ago, before my flight, I caught the tail end of a PBS program which explained that, prior to the most recent of the extinction events, North America was dominated by several different ancestral species of horses. Due to my once insatiable appetite for IKEA meatballs, on many different occasions, I’ve unknowingly eaten horse meat. For Ajax, Smarty Jones and Curlin being ‘vanned off’ or ‘broke down’ means that a Lasix saturated prize horse will likely find its way abstracted into spherical grounds soaked in an ALLEMANSRÄTTEN cream sauce. Mees, do you remember when we got laser synchronized soft serve after you helped me get a mattress last year? I think a lot about what made your Instagram story of the whole procedure so popular. I haven’t come to a conclusion but I’m comfortable thinking that most people just enjoy seeing the compatibility between novelty and technology.

(SIGHS) (RUMBLING) (LAUGHS) (EXCLAIMS IN TRIUMPH) (ALL CHEERING) (SIRENS WAILING) (DUCKS QUACKING)

29.8.18 — 22.9.18

Text: Felix Rapp

Bird photographs by Yossef Av-Gay fence in collaboration with Nick Short

Calaboose

'Field of Flowers' by Anna Taganzeva-Kobzeva at Fabula Gallery, Moscow

'WEBWAY' by Jennifer Mathews and Mia Middleton at Haydens Gallery, Melbourne

'Body Without Organs
' by Matt Smoak at BAD WATER, Knoxville

'Aladdin Kebab', Group Show Curated by TZVETNIK at llil.space, Rostov-on-Don

'Squeaky Beach' by Collective Disgrace (Ilana Winderickx, Sophie Conus, Pablo Rez

'Session N1 Distant touch' by Sasha Gosmant and Olesia Lavrinenko at Daipyat, Vor

'...schläft sich durch' by Elif Saydam at Kunstverein Harburger Bahnhof, Hamburg

'Flesh of Earth' by Suzanna Zak at Prairie, Chicago

Proudfoot & Piasecka (ft. Nima Séne, Ailie Ormston and William Darrell), ENSEMBLE

'Šedý girlandy' by Anka Helfert at Studio PRÁM, Prague

'Castles III' by Jesse Sullivan at apartment 13

'You Likey?' by Joe W. Speier at King’s Leap, New York

'À fleur de boue' by Cecilia Granara & Pierre Unal-Brunet at Double Séjour, Clich

'Fog Palace' by Philip Hinge & Club Superette (presented by Catbox Contemporary)

'Truth' by Alexey Zhuravlev at Gallery Victoria, Samara

'Siren Fort', Off-Site Group Show at Rozel Point Oil Field, Utah

'Glück für Sorgenkinder' by Isadora Vogt at Sentiment, Zurich

'Tales of Nursing' by Loren Kagny at eeeeh!, Nyon

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