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'Home Sick, Sick Home' by Okan Yildirim at OJ, Istanbul

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Loneliness of The Long Distance Runner

We started from the top now we here… Libidinal investment yes to some extent. acquired mental weakness. Surely. Okan Gangnam Style meanwhile. Note for myself. Break out of this eternal cycle of functioning Open to all possible interpretations crossed out

It’s that old devil moon in your eyes. Symbolic deadlock homie Locate the brutal outburst of violence track it down and direct it at yourself. Tiny private dreams of PM stage a desire our nightmares, our realities We crafted them, sustained then You wanted to be special so take it. PAUSE.

Fantasy, fundamentally a lie covering up inconsistency providing an easy solution to a complex multitude of fears. Now substitute this fear with one simple answer: Crocodile.

Starving predators Margin of freedom and fascists get their cakes and eat it D is for demon in democracy. Hey, remember when the white supremacist Richard Spencer got punched in the face 2 months ago? Here it is from another angle sealed. Rectum reconstruction required after bull impales matador (VIDEO, PHOTOS)

Propelled by absolute demand. Circulate and reproduce brutality anything can be sacrificed PAUSE.

In the name of perverted duty inertia on the far side fo’ the real motherfucker Maybe a chance for an authentic passive experience chaperoned by something new merging through failure. Where we are:; They sought refuge in the mountain of death. Wastefulness and extravaganza. Migrants and of course the slaves. Which poetry to quote? ..Post modern 1930’s. 
, exactly five years ago today, in Casablanca, with my friends' kitten (who they had found as a small kitten in the hood of their car)
The bourgeois in their ridiculous sympathy with working classes in psychological distress. desiring to reconstitute their self image lol. It’s really a new version of one of the old favourite imperial myths. Upper class people loose their vitality and need to get in contact with working class basically ruthlessly exploiting them in a vampire-like way, sucking their life energy, revitalising themselves so they can proceed with their secluded upper class life proving once more that democracy would be banned if it ever threatened to change anything.

Interpolated subjects of pleasure. It’s a painful experience. Apply gentle force.

The extreme violence of liberation. Freedom dooms and enjoyment in disturbed pleasure, enjoyment in pain and the excessive factors disturbing the apparently simple relationship between duty and pleasure. Do not betray your desires. Do not believe it’s your day. It’s not your day. Take a look outside your window.

Pretend to denounce and you can get it all. If there is no god everything is allowed. (For the hearing impaired: the ezan being blasted in the background) megaphones.

Based in New York, New York, Upcoming carrots Forbes top 10 under 30 retrospectively adhered reasons and polution. Perhaps the ultimate horror of a desire itself is to be fully satisfied. Ultimate melancholic experience:; the loss of desire itself. From sublime to excremental dimension. Be careful what you wish for Don’t gasp for applause and appraisal If you are worthy of applause and appraisal it will be in the mere records OK HOMIE!

You see what really drives the violence of the hero is the deep suspicion that the victim is not simply a victim, that the victim assumably and affectively in a perverted way enjoys or even participates in what appears as victimhood. Victim A doesn’t want to be redeemed. A resists. B does not. “Even if horses could talk, we wouldn’t be able to understand their sophisticated anarchomonist ideology” Carlos Mark The founder of Dominos Pizza. You see we started from the top now the whole team fucking here

OJ

'ABSINTHE', Group Show Curated by PLAGUE at Smena, Kazan

'Pupila' by Elizabeth Burmann Littin at Two seven two gallery, Toronto

'Auxiliary Lights' by Kai Philip Trausenegger at Bildraum 07, Vienna

'Inferno' by Matthew Tully Dugan at Lomex, New York

'Зamok', Off-Site Group Project at dentistry Dr. Blumkin, Moscow

'Dog, No Leash', Group Show at Spazio Orr, Brescia

'Syllables in Heart' by Thomas Bremerstent at Salgshallen, Oslo

'Out-of-place artifact', Off-Site Project by Artem Briukhov in Birsk Fortress, Bi

'Gardening' by Daniel Drabek at Toni Areal, Zurich

'HALF TRUTHS', Group Show at Hackney Road, E2 8ET, London

'Unknown Unknowns' by Christian Roncea at West End, The Hague

'Thinking About Things That Are Thinking' by Nicolás Lamas at Meessen De Clercq,

‘Funny / Sad’, Group Show by Ian Bruner, Don Elektro & Halo, curated by Rhizome P

'Don’t Die', Group Show at No Gallery, New York

'Almost Begin' by Bronson Smillie at Afternoon Projects, Vancouver

'I'll Carry Your Heart's Gray Wing with a Trembling Hand to My Old Age', Group Sh

'hapy like a fly' by Clément Courgeon at Colette Mariana, Barcelona

'Fear of the Dark' by Jack Evans at Soup, London

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