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'Too proud to hope, too weak to climb' by Radek Brousil at Berlinskej model, Prague

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In fragile backdrops of clay-punk world, lies a character, whom others have forgotten. Misplaced and nondegradable, there is no doubt that the locals are not welcoming its kind, and yet others are about to come.

A figurative therapy for environmental vanity in an open support group, accompanied by fan collages of verses, riffs, and the most skinny fitted t-shirts of millenial emo guitar bands. A message stuck in a plastic bottle - bringing back to life the memories of painting on walls, fences, trains and all the effort to make an indelible imprint on its surroundings and to get stuck in it just as the heroine of our story in an environment that is alien to her.

— Lumír Nykl

27.6.18

Curated by Lumír Nykl

Berlinskej model

'Digital Anomalies' by Nicolás Lamas at FORM, Wageningen

'IT'S DIFFICULT TO EXPLAIN SO I STAY QUIET' by Lukas Glinkowski at Galería Fran R

'The place that can never be' by Anna Taganzeva at Plague Space, Krasnodar

'Chocolate Goblin' by Travis John Ficarra at Glasshouse, Victoria

'MILITARY POP', Group Show at Spas Setun, Moscow

TARGET GROUP SHOW, conceived by Hannes Schmidt at BRAUNSFELDER, Cologne

'DISTIRA' by Irati Inoriza at Galeria Fran Reus, Palma de Mallorca

'Underground Memorandum' by Richard Nikl at Shore, Vienna

'All Watched Over by Emissaries of Loving Grace' by Louis Morlæ at Duarte Sequeir

'itsanosofadog *It’s an arse of a dog' by Amanda Moström, Rose Easton, London

'Deceiving players' by Rimma Arslanov at KOENIG2 by_robbygreif, Vienna

'Sizzling Hot' by Rosa Lüders at 14a, Hamburg

'The Particular Matter of a Pisces Rug' by Kelly Kaczynski at Weatherproof, Chica

'L’oracolo' by Michele Cesaratto at MURKA, Florence

'The Tiler' by Trevor Bourke at Afternoon Projects, Vancouver

'Whaleboat' by Zukhra Salakhova at Daipyat gallery, Voronezh

'I Saw The Sign' by José Villalobos at EVERYBODY, Tucson

'Al principi va ser un gest' by Aina Monzó at Zape, Valencia

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