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'Menschenretter Almanac' by Rebecca R Peel & Dennis Witkin at Holiday Forever

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Installation View
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Installation View
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Rebecca R Peel, Indistinct Access Points for the Sweet and Unsuspecting (memorial timekeepsake 1), 2017
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Rebecca R Peel, Indistinct Access Points for the Sweet and Unsuspecting (memorial timekeepsake 1)
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Rebecca R Peel, Peak Aptitude, 2017
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Rebecca R Peel, Peak Aptitude
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Dennis Witkin, Missing Udi Lamppost #1б 2017
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Dennis Witkin, Missing Udi Lamppost #1
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Dennis Witkin, Untitled (alley chase), 2017
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Dennis Witkin, Chase with Moon (thinking mezzaluna), 2017
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Dennis Witkin, Chase with Moon (thinking mezzaluna)
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Rebecca R Peel, Elegant Cat Death 1, 2017
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Rebecca R Peel, Elegant Cat Death 1
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Dennis Witkin, Missing Udi Lamppost #2, 2017
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Dennis Witkin, Untitled (the lookout), 2017
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Dennis Witkin, Untitled (udi's fireplace), 2017
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Dennis Witkin, Untitled (udi's fireplace)
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Rebecca R Peel, Versus a Salad Bar at a Local Convenience Store (memorial timekeepsake 2), 2017
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Rebecca R Peel, Versus a Salad Bar at a Local Convenience Store (memorial timekeepsake 2)
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Dennis Witkin, Missing Udi Lamppost #3 (together again), 2017
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Dennis Witkin, Missing Udi Lamppost #3 (together again)
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Installation View
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Rebecca R Peel, Alpine Alliance Oddities, 2017
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Rebecca R Peel, Alpine Alliance Oddities
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Rebecca R Peel, Elegant Cat Death 2, 2017
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Rebecca R Peel, Elegant Cat Death 2
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Dennis Witkin, Chase with Moon (observant mezzaluna), 2017
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Dennis Witkin, Chase with Moon (observant mezzaluna)
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Rebecca R Peel, Peak Altitude, 2017
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Rebecca R Peel, Peak Altitude
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Rebecca R Peel, Can it be saved and should it be saved, 2017
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Rebecca R Peel, O, O, O Obstacle, 2017
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Dennis Witkin, Bowl, 2017
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Dennis Witkin, Chase with Moon, Stars, Planets, 2017
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Dennis Witkin, Chase with Moon, Stars, Planets
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Installation View

2017 / 1438 / 5777 / 3102 / 2770 / 1466 / 6767 / 1424 / 1379 / 2561 / 7525 / 4713 / 1733 / 3183 / 12017 / 1395 / 4350 / 549 / 106 / 2144 / 1483228800

1.A. –

Subject A is on one side of a raging river. There are no bridges. There is no boat. Subject A shouts out to Subject B on the opposite bank. “How do I get to the other side?” Subject B shouts back: “You are on the other side.”

2. C. –

He put a small black bitter-tasting pellet on my tongue. I gagged. Brother Martin held my jaws shut and stroked my throat until I swallowed it. After a while, the pain in my wounds lessened. I leaned back on the mattress. And I dropped off to sleep like a rock off the edge of a precipice.

5.D. –

The animistic sign of the primitive, then, is summoned in the very act of precise documentation that supposedly inaugurates rationality. The anxiety that the Real will be eaten up by the spectre of the primitive returns in the image.

7.E. –

♪ So you children of the world / listen to what I say / If you want a better place to live in / spread the words today / Show the world that love is still alive / you must be brave / Or you children of today are / Children of the grave ♪

9.B. –

Now when he was not hindering her, she knew what to do, and without looking at what was under her feet, and to her vexation stumbling over a high stump into the water, but righting herself with her strong, supple legs, she began making the circle which was to make all clear to her. She stood still, feeling more and more conscious of it, and enjoying it in anticipation.

12.F. –

“If you want to see me with your own eyes, go to the Natural History Museum in Bern. There you will see my stuffed body in a glass case. I apologize in advance for my appearance. They repaired me and patched me and added fur and stuffing in 1923, raising my head to show me in a less humble pose. In spite of all their efforts, I no longer look very much like myself.”

2.12.17 — 17.1.18

Holiday Forever

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'LMXJVSD' by Marina G Guerreiro at Pols, Valencia

'Glossy Inviolability' by Zsófia Keresztes at Elijah Wheat Showroom, New York

'Eye to Eye Delirium' by Sofia Sinibaldi at Interstate Projects, New York

'A Tinkling Sound', a Group Show at Kunsthalle Wichita

'I am Thankful to be a Ghost Now', a Group Show at Aldea Gallery, Bergen

PALAZZINA #03: Melanie Akeret, Haydée Marin, Hannes Zulauf at Palazzina, Basel

'Tiredness Quotes' by Barbora Zentková & Julia Gryboś at Karlin Studios, Prague

'New Psychedelia of Industrial Healing' by Sharona Franklin at King’s Leap, New Y

'Another Night in Dream City' by Seán Boylan at Stranger, Baltimore

'I SAW A CROW, ORCA WAS I' by Alison Yip at Monte Clark Gallery, Vancouver

'DIGESTING DUCK ENTRY LEVEL POSITION' by Isabelle Frances McGuire at From the Des

'Access Modes for Encountering Large Industrial Bodies' by Kitty Maria at Het Res

'La ballade des sardines – Die Liebe der Sardinen' by Robert Brambora at Sans tit

'Weathered Shabby Shabby Brenches: Vernal Festivity of the Four Clari' by MRZB at

'Rose Button' by Romain Vicari at Placement Produit, Aubervilliers

'리좀적 주문 Rhizomatic Spell', a Group Show at Kvalitář, Prague

'Die ZWEITE HAND' by Niclas Riepshoff at Stadium, Berlin

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