Exhibition view
Exhibition view
Misha Gudwin, ‘Harvest on the stock exchange’, 2022, cabbage, digital print on paper, UV print on metal, dimensions vary
Misha Gudwin, ‘Harvest on the stock exchange’, 2022, cabbage, digital print on paper, UV print on metal, dimensions vary (Details)
Misha Gudwin, ‘Harvest on the stock exchange’, 2022, cabbage, digital print on paper, UV print on metal, dimensions vary (Details)
Misha Gudwin, ‘Harvest on the stock exchange’, 2022, cabbage, digital print on paper, UV print on metal, dimensions vary (Details)
Exhibition view
Natasha Perova, ‘abundance’, 2021, glass, metal, found objects, 28x18 cm
Natasha Perova, ‘abundance’, 2021, glass, metal, found objects, 28x18 cm
Natasha Perova, ‘abundance’, 2021, glass, metal, found objects, 28x18 cm (Details)
Exhibition view
Pavel Polshchikov, ‘Desert Storm: Professor Hamid Parsani visits the US Air Force General Staff to participate in a closed seminar on the epistemological problems of gender anthropology in the context of the study of petropolitical cults of the ancient East.’, 2022, plywood, spray paint, polymer mass, epoxy resin, paper, marker, acrylic lacquer, aluminum, ropes, jewelry fittings, synthetic silk, digital printing, bones, tooth, 165x105x3 cm
Pavel Polshchikov, ‘Desert Storm: Professor Hamid Parsani visits the US Air Force General Staff to participate in a closed seminar on the epistemological problems of gender anthropology in the context of the study of petropolitical cults of the ancient East.’, 2022, plywood, spray paint, polymer mass, epoxy resin, paper, marker, acrylic lacquer, aluminum, ropes, jewelry fittings, synthetic silk, digital printing, bones, tooth, 165x105x3 cm (Details)
Pavel Polshchikov, ‘Desert Storm: Professor Hamid Parsani visits the US Air Force General Staff to participate in a closed seminar on the epistemological problems of gender anthropology in the context of the study of petropolitical cults of the ancient East.’, 2022, plywood, spray paint, polymer mass, epoxy resin, paper, marker, acrylic lacquer, aluminum, ropes, jewelry fittings, synthetic silk, digital printing, bones, tooth, 165x105x3 cm (Details)
Pavel Polshchikov, ‘Desert Storm: Professor Hamid Parsani visits the US Air Force General Staff to participate in a closed seminar on the epistemological problems of gender anthropology in the context of the study of petropolitical cults of the ancient East.’, 2022, plywood, spray paint, polymer mass, epoxy resin, paper, marker, acrylic lacquer, aluminum, ropes, jewelry fittings, synthetic silk, digital printing, bones, tooth, 165x105x3 cm (Details)
Pavel Polshchikov, ‘Desert Storm: Professor Hamid Parsani visits the US Air Force General Staff to participate in a closed seminar on the epistemological problems of gender anthropology in the context of the study of petropolitical cults of the ancient East.’, 2022, plywood, spray paint, polymer mass, epoxy resin, paper, marker, acrylic lacquer, aluminum, ropes, jewelry fittings, synthetic silk, digital printing, bones, tooth, 165x105x3 cm (Details)
Pavel Polshchikov, ‘Desert Storm: Professor Hamid Parsani visits the US Air Force General Staff to participate in a closed seminar on the epistemological problems of gender anthropology in the context of the study of petropolitical cults of the ancient East.’, 2022, plywood, spray paint, polymer mass, epoxy resin, paper, marker, acrylic lacquer, aluminum, ropes, jewelry fittings, synthetic silk, digital printing, bones, tooth, 165x105x3 cm (Details)
Exhibition view
Slava Nesterov, ‘sea urchin’, 2021, glass, resin, wasp, 7x7x4 cm
Slava Nesterov, ‘sea urchin’, 2021, glass, resin, wasp, 7x7x4 cm
Slava Nesterov, ‘sea urchin’, 2021, glass, resin, wasp, 7x7x4 cm
Roman Casus, ‘Kuban peasants, 1932’, 2022, Laser print on paper, 89x84 cm
Roman Casus, ‘Kuban peasants, 1932’, 2022, Laser print on paper, 89x84 cm
Roman Casus, ‘Kuban peasants, 1932’, 2022, Laser print on paper, 89x84 cm (Details)
Exhibition view
Anton Kushaev, ‘Exorcism’, 2022, digital collage, found object, 23x33 cm
Anton Kushaev, ‘Exorcism’, 2022, digital collage, found object, 23x33 cm
Anton Kushaev, ‘Exorcism’, 2022, digital collage, found object, 23x33 cm
Exhibition view
Sasha Lemish, ‘Kumary’, 2022, mixed media, dimensions vary; "HQDizzz" mix by Maxim Klyushnikov, 19:52
Sasha Lemish, ‘Kumary’, 2022, mixed media, dimensions vary; "HQDizzz" mix by Maxim Klyushnikov, 19:52 (Details)
Sasha Lemish, ‘Kumary’, 2022, mixed media, dimensions vary; "HQDizzz" mix by Maxim Klyushnikov, 19:52 (Details)
Sasha Lemish, ‘Kumary’, 2022, mixed media, dimensions vary; "HQDizzz" mix by Maxim Klyushnikov, 19:52 (Details)
Sasha Lemish, ‘Kumary’, 2022, mixed media, dimensions vary; "HQDizzz" mix by Maxim Klyushnikov, 19:52 (Details)
Exhibition view
Alexey Zhuravlev, ‘Untitled’, 2022, pencil, acrylic, 30x70 cm
Alexey Zhuravlev, ‘Untitled’, 2022, pencil, acrylic, 30x70 cm
Hermione, how do you keep up with everything?
Yesterday I caught a rare Pokémon in the park; I had to stop a cab to catch it.
You know what I don't understand? If he's like, this super-advanced robot, why does he transform into this piece-of-crap Camaro?
Follow the white rabbit.
Where is this Krasnodar of yours? In the south?
— Arthur Golyakov
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