Installation view
Iza Tarasewicz, Once information has passed into protein, 2019, ca. 70 x 70 x 150 cm, steel wire, brass, copper
Iza Tarasewicz, Once information has passed into protein, 2019, ca. 70 x 70 x 150 cm, steel wire, brass, copper (detail)
Iza Tarasewicz, Once information has passed into protein, 2019, ca. 70 x 70 x 150 cm, steel wire, brass, copper (detail)
Installation view
Iza Tarasewicz, WHAT WHISPERS ARE THESE? VII, 2020, ca. 35 x 35 x 220 cm, steel wire, brass
Iza Tarasewicz, WHAT WHISPERS ARE THESE? VIII, 2020, ca. 40 x 40 x 50 cm, steel wire, brass, copper
Iza Tarasewicz, WHAT WHISPERS ARE THESE? IX, 2020, ca. 40 x 40 x 55 cm, steel wire, brass, copper (detail)
Iza Tarasewicz, WHAT WHISPERS ARE THESE? IX, 2020, ca. 40 x 40 x 55 cm, steel wire, brass, copper
Iza Tarasewicz, WHAT WHISPERS ARE THESE? IX, 2020, ca. 40 x 40 x 55 cm, steel wire, brass, copper (detail)
Installation view
Iza Tarasewicz, WHAT WHISPERS ARE THESE? V, 2019, ca. 35 x 35 x 35 cm, steel wire, brass
Iza Tarasewicz, VARIABLES, 2020, ca. 60 x 70 / 60 x 200 cm, steel wire
Iza Tarasewicz, VARIABLES, 2020, ca. 60 x 70 / 60 x 200 cm, steel wire (detail)
Iza Tarasewicz, VARIABLES, 2020, ca. 60 x 70 / 60 x 200 cm, steel wire (detail)
Iza Tarasewicz, WARKOCZE/KOŁTUNY/DŁONIE (braids/tangle/hands), 29 x 21 cm, graphite on paper
Installation view
Iza Tarasewicz, NETS, ca. 220cm x 30 cm, rubber, hemp rope
Iza Tarasewicz, WHAT WHISPERS ARE THESE? IV, 2019, ca. 40 x 40 x 50 cm, steel wire, brass
Iza Tarasewicz, WHAT WHISPERS ARE THESE? IV, 2019, ca. 40 x 40 x 50 cm, steel wire, brass (detail)
Installation view
Installation view
Installation view
Installation view
Installation view
Installation view
Installation view
Installation view
Installation view
Installation view
Installation view
Installation view
Installation view
Iza Tarasewicz, WHAT WHISPERS ARE THESE? VI, 2019, ca. 35 x 35 x 65cm, steel wire, brass
Iza Tarasewicz, WHAT WHISPERS ARE THESE? VI, 2019, ca. 35 x 35 x 65cm, steel wire, brass (detail)
a logic of resemblance and of difference, of contradiction and identity, even of continuity and discontinuity, in short a naive logic of two choices, such as true/false, even if we set the two theses together so that they resonate through synthesis, ambiguity, paradox or the inexpressible, why should such a logic be able to account for anything at all, when we have known for a long time that it cannot account for the simplest things, the weakest knowledge? Every state of things is already too complex for it. And every elementary system. A fortiori, every even slightly complicated system. A fortiori, the most complex real and conceivable one, like history. A fortiori, if we try to understand how a system is formed.
— quote from Michel Serres 'The Birth of Physics'
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