image text special shop

'When the Time Swirls, When it Turns into a Black Hole', a Group Show at FUTURA, Prague

The walls are pulsing
Haunting desires of strangers
Bodies start to merge *


The itching, uncomfortable, alien feeling in your body, when it’s carried through a dark tunnel of change, the turbulence the movement creates, the hallucinating vision you attain, the intolerable state that causes pain and misery combined with lucid longing. 

I wanted to stage the experience of adolescence, the dreams and nightmares that one experiences when transitioning from one place to another – the awkwardness, the uncanniness and darkness this journey comprises. Adolescence is a season of fast-paced development – moral, social, physical, cognitive, and emotional transformation. Imagine a body, - a distorted body, half of the body, parts of a body, an unpleasant body, a beautiful body, an ugly body... can you tolerate it? It’s both scary and captivating in its strangeness and alienness. 

The mindset of a teenager – how does it manifest itself? Is it a grotesque picture of reality? The imagination gone wrong or just wild? Another reality? I wanted to explore the subject of fear and horror during the states of transition and change, - the way they become alternate states for expression, resistance and even healing. What pathway they have and what footprint they leave. The poetics, humour and unpleasantness they entail. A teenager’s mind can be a portrait of a decade or a time, pointing to the power of transformative strength that goes alongside the chaotic dynamics characteristic of the times we live in. It can be also a space and a place for (imagined) language. Futura Gallery’s space, the basement, offers a body for scenography and dramaturgy to this subject. The presence of a body as real (physical) and symbolic (psychological) is situated there in conversation with the language of architecture, revealing itself in various gestures and appearances. 

— Maija Rudovska

*Thomas Moore, When People Die, 2018, published by Kiddiepunk

4.12.19 — 16.2.20

O.B.De Alessi, Michael Salerno, Thomas Moore, Dennis Cooper, Laura Gozlan, Radek Brousil, Darja Bajagić

Curated by Maija Rudovska

Photo by Tomáš Souček, Radek Brousil

FUTURA

'Daybreak' by Elisa Barrera at Lucas Hirsch, Dusseldorf

'Hat Box' by Julie Malen at Catbox Contemporary, New York

'19742 Ceremony' by Dishon Yuldash at Daipyat, Voronezh

'STILL MAGIC', Group Show at Redkie Iskusstva, Saint-Petersburg

'Methods for Regional Stewardship' by Will Bruno at Smart Objects, Los Angeles

'In Flames' by Inside Job at Lily Robert, Paris

'Spas Setun Dystopian Party Collection', Group Show at Spas Setun, Moscow

Money Gallery at BIENVENUE ART FAIR, Hotel La Lousiane, Paris

'Ok boomer', Group Show at Plague Space, Krasnodar

Greg Meza at ANDNOW/​WAREHOUSE, Dallas

'Von der schenkenden Tugend', Group Show at Zarinbal Khoshbakht, Cologne

Matthew Peers, Max Ruf at Lady Helen, Berlin

'Green changed to white, emerald to opal, nothing was changed' by Vadim Murin at

Chamber Realm at Dungeon, Detroit

'Bomba de humo (cloud point)' by Matias Solar at Relaciones Públicas, Mexico City

'Nocturne No. 1' by Brian Oakes at Mery Gates, New York

'PPS: it’s a progressive fantasy {…}', Group Show at C u at Sadka, Krakow

'Gignesthai' by Katja Novitskova at Hyperlink Athens, Athens

Next Page