image text special shop

'Work Together Stay Alive', a Group Show Curated by TZVETNIK at EXILE, Vienna

article image; primary-color: #8E7D6D;
Installation view
article image; primary-color: #837062;
Vladimir Kolesnikov, Untitled, 2019
article image; primary-color: #9F8F80;
Yein Lee, Me Moi Series, 2018-2019
article image; primary-color: #71707E;
Yein Lee, Me Moi Series (detail), 2018-2019
article image; primary-color: #928272;
Installation view
article image; primary-color: #8F9392;
Sarah Księska, Cleaning up my closet, 2019
article image; primary-color: #D9D9D9;
Installation view
article image; primary-color: #95738C;
Caro Eibl, The Open Space, 2017-2019
article image; primary-color: #E5E6E8;
Philipp Simon, moment, sunset, exhaustion, client, high-value, decision, timeline, yahoo, 2019
article image; primary-color: #E6E7E9;
Philipp Simon, image, plant, afterwards, certainty, 2019
article image; primary-color: #CBCBCB;
Installation view
article image; primary-color: #DEDEDC;
Guillermo Ros, Braços de Toguro, 2019
article image; primary-color: #AAB0BC;
Vitaly Bezpalov, Score Management II, 2019
article image; primary-color: #B4B9D6;
Vitaly Bezpalov, Score Management II (detail), 2019
article image; primary-color: #CABABD;
Genevieve Goffman, Good Boy, Good Comrade, 2017 / Killing Time, 2018
article image; primary-color: #96777D;
Genevieve Goffman, Good Boy, Good Comrade (detail), 2017
article image; primary-color: #C1B0B8;
Genevieve Goffman, Killing Time, 2018
article image; primary-color: #DADADA;
Julius Pristauz, Pink clock (2x12), 2019

Is it a mistake to say that a lemon slice in your teacup always tends to float towards your lips as if to deliberately ruin your tea drinking experience? Sometimes we may even rapidly rotate the cup 180 degrees assuming the slice’s gonna stay where it was. However, no matter how fast we are, the lemon is always faster to turn up on that exact side of the cup we take a sip from. What is it? Is it some kind of lemon conspiracy? For this to pass as a conspiracy, there’s going to be a global communications network binding a swarm of lemons. I guess they all work together with an element of surprise on their side. Each as yellow as a minion, a team worker. A dog pack is working together in order to...

What are we talking about when we talk about group show? Is it a work done together? Bananas are as yellow as lemons, but do they also communicate? Even if they do, it sure doesn’t look like it. And there is no way for us to know. For the most part a banana split is made by a human, not a banana. A banana split is definitely not the same thing as a lemon slice position in your tea cup, these things can not be compared. Are lemons alive? Alive because of yellowness or because of their ability to act correspondingly? A communications network and being alive – these two things are interlinked.

Things that work together qualify as living things. What about the non-living? Can non-living things work together? I don’t know. Can something work together just because it’s yellow? To be yellow—is it a reason enough to be alive? Wait. It is us who sees the color yellow. A lemon will give it to you straight: it is you who sees things living. So who’s right? Work together? Stay alive?

30.10.19 — 7.12.19

Caro Eibl, Genevieve Goffman, Guillermo Ros, Julius Pristauz, Philipp Simon, Sarah Księska, Vitaly Bezpalov, Vladimir Kolesnikov, Yein Lee

Curated by TZVETNIK

EXILE

'The rain of chrysanthemums rotted into hay' by Timur Aloev at Holešovická Šachta

'Bucolic Gang' by Mónica Mays at Rupert, Vilnius

'The Chase' by Jürgen Baumann at Material, Zurich

'The Host' by Pakui Hardware at eastcontemporary, Milan

'Chlamydomonas Nivalis' by Alberto Tadiello at Umberto Di Marino Gallery, Napoli

'The Centre' by Patrick Cole and Dominic Watson at Kupfer, London

'Ghost Member: Prosthesis/ Symbiosis as a shelter' by Naomi Maury at L'Assaut de

'I show you the signs of life' by Alina Izmaylova at Kerka gallery, Saint-Petersb

'I Don't Want No Trouble' by Lucas Erin at All Stars, Lausanne

'The Grime and the Schmutz' by Béla Feldberg at Jo-Anne, Frankfurt am Main

'Night of Hinnā' by Monia Ben Hamouda at Bungalow, ChertLüdde, Berlin

'Getting Down to Business' by Rebecca Rothenborg at Galerie Roland Puschitz, Vien

'Why Me?' by Pietro Agostoni at Associazione Barriera, Turin

'Holloway - ‘Das Gift’ is a Gift' by Céline Struger at Loggia, Vienna

'Under the Moon' Group Show at Camp Eternal Hell Chamber, New York

'SUPER-NATURAL', Group Show at OLHÃO, São Paulo

'Body Electric' by Zuza Golinska at Galerie Anton Janizewski, Berlin

'Almost Collapsing Balance' by Liao Wen at Capsule Shanghai

Next Page