Yvo Cho, Your Face is So Mysteriously Kind, Installation view 1 at BPA
Yvo Cho, Your Face is So Mysteriously Kind, Installation view 2 at BPA. Corporate Identity Paintings BPA 21/1, block printing on canvas, 277 x 188 cm, 277 x 188 cm, 79 x 176 cm, 39 x 89,5 cm
Yvo Cho, Your Face is So Mysteriously Kind, Installation view 3 at BPA
Yvo Cho, Your Face is So Mysteriously Kind, Installation view 4 at BPA
Yvo Cho, Your Face is So Mysteriously Kind, Installation view 5 at BPA
Yvo Cho, Your Face is So Mysteriously Kind, Installation view 6 at BPA
Yvo Cho, Your Face is So Mysteriously Kind, Installation view 7 at BPA
Yvo Cho, Your Face is So Mysteriously Kind, Detail 1 at BPA
Yvo Cho, Your Face is So Mysteriously Kind, Installation view 8 at BPA
Yvo Cho, Your Face is So Mysteriously Kind, Installation view 9 at BPA. Inventory Prop (fridge), 177 x 54 x 54 cm
Yvo Cho, Your Face is So Mysteriously Kind, Installation view 10 at BPA
Yvo Cho, Your Face is So Mysteriously Kind, Installation view 11 at BPA
Yvo Cho, Your Face is So Mysteriously Kind, Installation view 12 at BPA. Inventory Prop (speakers), 35 x 130 x 31 cm
Yvo Cho, Your Face is So Mysteriously Kind, Installation view 13 at BPA
Yvo Cho, Your Face is So Mysteriously Kind, Installation view 14 at BPA
Yvo Cho, Your Face is So Mysteriously Kind, Installation view 15 at BPA
Yvo Cho, Your Face is So Mysteriously Kind, Installation view 16 at BPA
Yvo Cho, Your Face is So Mysteriously Kind, Installation view 17 at BPA. Inventory Shift (metal ledge), 265,5 x 38 cm, 265,5 x 38 cm. Defective Packing, 43 x 33,5 x 27 cm
Yvo Cho, Your Face is So Mysteriously Kind, Installation view 18 at BPA
Your Face is So Mysteriously Kind
What is objective? The weather.
What is consciousness? Rain on your face.
What is subjective? “My hairstyle is a mess and my make-up is ruined.” Objective is what happens.
Consciousness is presence.
Subjective is complaint.
Objectivity is appropriation.
Consciousness is absorbency.
Subjectivity is defeat.
Object is ground.
Consciousness is mask.
Subject is projectile.
You say:
“there is much to be learned by hurling ourselves, again and again, against the bars of our cage. It is in our necessary failures as much as in our partial, modest and always fragile successes that we learn how this society has crippled us, what it strips from us in terms of dignity and fulfilled desire. But we shouldn’t pretend that we are liberated when we are not.”
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