image text special

'Afterbirth of a Dream' at Meet Factory, Prague

article image
Afterbirth of a Dream, Exhibition Installation View, MeetFactory, 2017 (photo Tomáš Souček)
article image
Zsófia Keresztes, Lonely Dinner, 2017 (photo Tomáš Souček)
article image
Zsófia Keresztes, Lonely Dinner (detail), 2017 (photo Johana Pošová)
article image
Zsófia Keresztes, Lonely Dinner (detail), 2017 (photo Johana Pošová)
article image
Leon Eisermann, Paint Huffers Choice, 2017 (photo Tomáš Souček)
article image
Afterbirth of a Dream, Exhibition Installation View, MeetFactory, 2017 (photo Tomáš Souček)
article image
Jan Brož, Zalesak, 2017 (metal plate + 2 drawings on the left side) a Leon Eisermann, Untitled, 2017 (6 drawings) (photo Tomáš Souček)
article image
Estrid Lutz & Emile Mold, Still Life Without You, Hanging Flower, 2017 (photo Tomáš Souček)
article image
Estrid Lutz & Emile Mold, Still Life Without You, Care, 2017 (photo Tomáš Souček)
article image
Estrid Lutz & Emile Mold, Crush, Zone IX (detail), 2017 (photo Tomáš Souček)
article image
Carl Palm, Cheeky Little Whippets, 2017 (photo Johana Pošová)
article image
Carl Palm, Cheeky Little Whippets, 2017 (photo Johana Pošová)
article image
Carl Palm, Cheeky Little Whippets, 2017 (photo Tomáš Souček)
article image
Carl Palm, Cheeky Little Whippets, 2017 (photo Tomáš Souček)
article image
Leon Eisermann, One Club Town, 2017 (photo Tomáš Souček)
article image
Leon Eisermann, One Club Town (detail), 2017 (photo Johana Pošová)
article image
Leon Eisermann, Untitled, 2017 (photo Johana Pošová)
article image
Leon Eisermann, Untitled, 2017 (photo Tomáš Souček)
article image
Afterbirth of a Dream, Exhibition Installation View, MeetFactory, 2017 (photo Tomáš Souček)
article image
Anna Slama & Marek Delong, Fake People Problems Theatre, 2017 (photo Tomáš Souček)
article image
Anna Slama & Marek Delong, Fake People Problems Theatre, 2017 (photo Tomáš Souček)
article image
Anna Slama & Marek Delong, Fake People Problems Theatre, 2017 (photo Johana Pošová)
article image
Anna Slama & Marek Delong, Fake People Problems Theatre, 2017 (photo Tomáš Souček)
article image
Pavel Sterec & Tereza Stöckelová, Vital Syndicates, 2017

“Cool blue morning by the creek, soft remote flute calls, sad and sweet from a dying star. Phosphorescent stumps glow in the blue twilight that hangs over the streets at noon like a haze.”  William S. Burroughs, Cities of the Red Night 

The afterbirth, the primordial ooze.  It starts with a dream. A virus. A fever. 

The exhibition Afterbirth of a Dream is the result  of a curatorial collaboration between Jan Zálešák and Christina Gigliotti; a stand-alone sequel to two projects curated by Jan Zálešák; Apocalypse Me (2016) and Letting Go (2017). The common leitmotif of the informal trilogy remains focused on the frontier regions of the human world – areas where borders between realms of the human and inhuman are dissolved. The artworks presented within the exhibition move away from the sphere of ”normality“, from the supreme domain of a modern, rational subject. Todays’ subjectivity is shaped by a delirical experience with the constantly rearranged and transforming content of the Net, floating as a ghostly representation over the not well-kept facade of ”reality,“ beyond which nothing is at it seems, and lasts only for a moment. Under the surface of human bodies there is a symbiotic multispecies universe, beneath the displays of smart devices – machinic assemblages of human and inhuman, below the surface of consciousness there are nebula of dreams and affections, ready to explode at any time and then absorb everything like a black hole. 

The literary black hole that is Cities of the Red Night by William S. Burroughs can be used as a guide to help us navigate and attempt to access a version of reality in which the hegemonic barriers between species has been eradicated. Thus, not only does human consciousness not rule over all other forms, but also, conscious beings are not bound by their physical bodies. In the book’s reality, human, animal, alien and machine each squarely battle for their place in the cosmos. Through this chaos, the main protagonist inhabits numerous bodies on different planets through-out his time-traveling journey. Thus, the reader is thrown into the minds of organisms experiencing various levels of consciousness. Scenes are often set during or after dreams have taken place. The main character’s feverish hallucinations, orgasmic convulsions, drug-induced blackouts, and dream-like imageries allow for a complete immersi- on of belief or open-mindedness to new possibilities of existence. What seems logically impossible in waking life ultimately becomes accepted through these altered states. The exhibition Afterbirth of  a Dream’s hazy, oozy reality thus endeavours to conjure up this state – the short moment between full wakefulness and slumber – in order to explore what a more tentacular and fluid, shape-shifting reality might look like. Always moving or slipping across realities, certain recognizable figures throughout  the exhibition come to the foreground, if only to disappear again. 


— Christina Gigliotti 

10.6.17 — 5.9.17

Jan Brož, Leon Eisermann, Zsófia Keresztes, Estrid Lutz & Emile Mold, Carl Palm, Anna Slama & Marek Delong, Pavel Sterec

Curated by Christina Gigliotti and Jan Zálešák

Meеt Factory

preview image

Aniara Omann at Humber Street Gallery, Hull

preview image

'Barry Walking Himself' by Anastasia Sosunova at Kogo, Tartu

preview image

'Feed Me Like a King' by David Nosek at Gallery 207, Prague

preview image

'SAW U' by Vika Begalska and Aleksandr Vilkin at Foundation of Smirnov and Soroki

preview image

'Verharzungen' by Max Negrelli, Yana Tsegay at The Reference, Frankfurt am Main

preview image

'A Rigged and Sudden Machinery' by Stefan Schwartzman
 at MX Gallery, New York

preview image

'TFW Too Intelligent' by Kid Xanthrax at Galerie U Mloka, Olomouc

preview image

Ieva Putniņa (Kaspars Groševs) – Fat Gnomes (Ears of New Jersey) at Riga Circus E

preview image

'Snowshoe Hare and Allies' by Emily Jones at Almanac, London

preview image

'All the World’s Organ’s' by Mitchell Kehe at 15 Orient, New York

preview image

'So Fresh On Top, So Rotten Below' by Saskia Te Nicklin at Vin Vin, Vienna

preview image

'Sourire aux Anges' by Jean-Baptiste Janisset at Chiffonnier, Dijon

preview image

'Luna Nuova', a Group Show Curated by Edoardo Manzoni and Giada Olivotto at Resid

preview image

'Bodyhunter: Monist Crysis' by Nik Kosmas at Alyssa Davis Gallery, New York

preview image

'Fixed Gear' by Emmy Skensved, Hosted by Superdeals at Château Nour, Brussels

preview image

'Kā skan, Tā atskan', a Group Show at No Moon, New York

preview image

Demise: of a Dream + Smegma at A10, Valencia

preview image

'Love and die' by Tobias Spichtig at CAC-La synagogue de Delme, Delme

More