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'At the End of the Game You Will Be Forgotten', a Group Show at Alyssa Davis Gallery, New York

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Isabelle Frances McGuire, Cheap is Life, 2018
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Bea Fremderman, Untitled, 2018
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Fin Simonetti, The Last Judgement, 2016
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Georgia Horgan, All Whores are Jacobites, 2017
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Georgia Horgan, All Whores are Jacobites (detail), 2017
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Georgia Horgan, All Whores are Jacobites (detail), 2017
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Georgia Horgan, All Whores are Jacobites (detail), 2017
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Georgia Horgan, All Whores are Jacobites (detail), 2017
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Georgia Horgan, All Whores are Jacobites (detail), 2017
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Loney Abrams & Johnny Stanish, No Species, 2018
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Loney Abrams & Johnny Stanish, No Species (detail), 2018
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Loney Abrams & Johnny Stanish, No Species (detail), 2018
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Loney Abrams & Johnny Stanish, No Species (detail), 2018
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Ficus Interfaith, Redwood at Night (title by Frank Traynor), 2018
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Ficus Interfaith, Redwood at Night (title by Frank Traynor) (detail), 2018
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Adam Shiu-Yang Shaw, slow utterance (grighund), 2018
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Adam Shiu-Yang Shaw, slow utterance (grighund), 2018
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André Filipek, CAPITANES, 2018
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André Filipek, CAPITANES, 2018
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Bea Fremderman, Untitled, 2018

Consider a digsite. Digging is always a vertical movement, down into the archaeological matrix. Each layer, defined as a unit of sedimentation greater than one centimeter thick, is separated from previous layers by an event. A fire, a flood. These intervals are discrete changes in the character of the material being deposited.

Esther Leslie argues that excavation is an ‘inverted’ astrology. “Astrologers study the forces and influences of the stars,” she writes, while excavators discover “the manifold properties of earth and stone strata.” Geology is regarded as nature’s writing, a cipher language. “The language of our world is reflected in the underworld, if subject to decoding.” 1

What time is it?

All possible histories are encoded in the strata. A temple column supports a basilica’s nave; broken palaces find their way into household walls. A fine intaglio is encrusted with black accretions and dusted with so many layers of silt and sand that it becomes a pebble. At the digsite, such actors, both artifactual and ecofactual, must be coaxed into speaking.

The thickness of an event, and the earth in which it is held; an open shaft; the patina of an old chair; the carbon cycle. Nothing is new, and nothing is not new.

1. Leslie, Esther. Synthetic Worlds: Nature, Art and the Chemical Industry. London: Reaktion Books/Univ. Chicago Press, 2007. 38-39.

19.4.18 — 20.5.18

André Filipek, Bea Fremderman, Georgia Horgan, Ficus Interfaith, Isabelle Frances McGuire, Adam Shiu-Yang Shaw, Fin Simonetti, Loney Abrams & Johnny Stanish

Organized by inparadi.se (Amelia Farley and Henry Osman)

Alyssa Davis

Episode 6: 'Morning' by Plague & Dharma Initiatives at Novorossiysk, Russia 

'Luna Calante', a Group Show Curated by Edoardo Manzoni and Giada Olivotto at Res

'Lip and Neck' by Samuel Hindolo at 15 Orient, New york

Dane Sutherland in conversation with Samuel Capps

'STRŽ / THE RAVINE' by Filip Dvořák at Luxfer Gallery, Česká Skalice

'cunt waifu' by Catalina Ouyang at Lyles & King, New York

'Saint Andrew's Vision of the Great Trek' by Andrew Gilbert at SPERLING, Munich

'MMM', Group Show at AQB mines/ Art Quarter Budapest

'even grass gets lonely', Group Show at darkZone, New Jersey

'When We’re Gone' by Pedro Matos at Pal Project, Paris

'a room, two rooms' by Ana Manso & Max Ruf at Kunsthalle Freeport, Porto

'The Ghost in Me' by Bri Williams at Murmurs, Los Angeles

'Softpop II' by Cytter/Roebas (Keren Cytter and John Roebas) at Schiefe Zähne, Be

'
Ode to the Shitty Situations and Tragicomic Events in an Artist’s Life' by Mich

'GOWTHER', Off-Site Group Show at Bottega Storica Vincioni, Rome

'Dwelling', Group Show Curated by Christina Gigliotti at Šopa Gallery, Košice

'Shedding the Third Skin', Group Show Curated by Ben Sang at Final Hot Desert, Mi

'DIO C’È', Group Show at Ultrastudio, Pescara

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