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‘Keep Smiling is the Art of Living’ by Bora Akinciturk at Alyssa Davis, New York

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Installation view
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Installation view
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Bora Akinciturk, Red Fever Nightmare, 2016
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Installation view
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Bora Akinciturk, A New Hope (name tag), 2017
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Bora Akinciturk, A New Hope (name tag), detail, 2017
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Bora Akinciturk, A New Hope, 2017
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Bora Akinciturk, A New Hope (shepherd ant), 2017
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Bora Akinciturk, A New Hope (choice), 2017
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Bora Akinciturk, A New Hope (come back), 2017
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Bora Akinciturk, A New Hope (come back), detail, 2017
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Bora Akinciturk, A New Hope (choice), detail, 2017
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Bora Akinciturk, A New Hope, detail, 2017
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Bora Akinciturk, A New Hope, detail, 2017
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Bora Akinciturk, A New Hope, detail, 2017
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Bora Akinciturk, A New Hope, detail, 2017
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Bora Akinciturk, A New Hope, detail, 2017
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Bora Akinciturk, A New Hope, detail, 2017
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Bora Akinciturk, Joe W. Speier, R.I.P, 2017
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Bora Akinciturk, F.E.A, 2016
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Bora Akinciturk, Flowers, after Ben Quinn, 2016
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Bora Akinciturk, Amber #14, The Mask, 2017
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Bora Akinciturk, Amber #14, The Mask, 2017
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Bora Akinciturk, Amber #14, The Mask, detail, 2017
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Bora Akinciturk, Amber #15, The Mask, 2017
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Bora Akinciturk, Amber #15, The Mask, detail, 2017
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Bora Akinciturk, None of Us Is As Good As All of Us, 2017
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Bora Akinciturk, None of Us Is As Good As All of Us, 2017
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Bora Akinciturk, None of Us Is As Good As All of Us, 2017
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Bora Akinciturk, Coat of Arms, 2017
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Bora Akinciturk, Woman Kill Tremp, 2017
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Bora Akinciturk, Woman Kill Tremp, detail, 2017
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Installation view

Keep Smiling is the Art of Living
is a slogan of an Indian paintbrush company “Keep Smiling” to market paintbrushes in Turkey. With its meaning unclear and syntax seemingly inadequate, the Englishlanguage motto of an advertising campaign in a non-English speaking country becomes a linguistic manifestation of rapid digital internationalization and its side effects. Everything in the exhibit, including its title, is an image, text, or object that has been reexamined, recontextualized and/or repurposed to serve as a barometer for the current age of global culture. The result is that the paintings, carpets, and sculptures form a coherent universe, but simultaneously stand alone as individual works that exhibit fluid authorship.

A New Hope
, 2017, is a hybrid flag composed of multiple layers of textiles demarcating soil in a potted plant as the territory of a confluence of national ideologies. Resin assemblages Amber #14, The Mask and Amber #15, The Mask (both 2017) encase disused SIM cards, motherboards, cellphones and houseflies as future artifacts of the present.Woman kill Tremp, 2017 is an acrylic overpainting of a digital print that portrays the dismembered head of the current US president whacked with a baseball bat. The original propaganda comes from a North Korean pamphlet distributed in primary schools of South Korea. Stripped of its native designation, the image immediately redefines itself within a new political context, raising questions about the violent aspects of any totalistic ideology. As a whole, the installation responds to our present—an age of global digital cultures misinterpreting and consuming each other on the way to an uncertain future.

14.12.17 — 14.1.18

Alyssa Davis

'ABSINTHE', Group Show Curated by PLAGUE at Smena, Kazan

'Pupila' by Elizabeth Burmann Littin at Two seven two gallery, Toronto

'Auxiliary Lights' by Kai Philip Trausenegger at Bildraum 07, Vienna

'Inferno' by Matthew Tully Dugan at Lomex, New York

'Зamok', Off-Site Group Project at dentistry Dr. Blumkin, Moscow

'Dog, No Leash', Group Show at Spazio Orr, Brescia

'Syllables in Heart' by Thomas Bremerstent at Salgshallen, Oslo

'Out-of-place artifact', Off-Site Project by Artem Briukhov in Birsk Fortress, Bi

'Gardening' by Daniel Drabek at Toni Areal, Zurich

'HALF TRUTHS', Group Show at Hackney Road, E2 8ET, London

'Unknown Unknowns' by Christian Roncea at West End, The Hague

'Thinking About Things That Are Thinking' by Nicolás Lamas at Meessen De Clercq,

‘Funny / Sad’, Group Show by Ian Bruner, Don Elektro & Halo, curated by Rhizome P

'Don’t Die', Group Show at No Gallery, New York

'Almost Begin' by Bronson Smillie at Afternoon Projects, Vancouver

'I'll Carry Your Heart's Gray Wing with a Trembling Hand to My Old Age', Group Sh

'hapy like a fly' by Clément Courgeon at Colette Mariana, Barcelona

'Fear of the Dark' by Jack Evans at Soup, London

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