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'Femke Hears a Who' by Clementine Edwards & Alexander Iezzi at Peach, Rotterdam

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♫ Phil Collins playing in the background ♫

 It started with a spilt turmeric latte. 
 Femke came from Brabant and her dusk-till-dawn was filled with 
 feverish artistic production. 
 Between practicing Tic Toc Choc on the harpsichord, 
 honing her skills in acrylic painting and 
 trawling the internet for tchotchkes, 
 Femke spent her spare time at Rotterdam’s most renowned plaza, Zuidplein — 
 saying hi to Sanne and Suus, shaking hands with Merel and Milou. 
 She was a people watcher. 
 But then things got curly — 

Femke heard a who.

11.5.19 — 9.6.19

Peach

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'Corporate values by Misha Gudwin at Supermetall, Moscow

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'Victim of Cosmetics' by Claire Barrow in a repurposed office space, London

'Digital Anomalies' by Nicolás Lamas at FORM, Wageningen

'IT'S DIFFICULT TO EXPLAIN SO I STAY QUIET' by Lukas Glinkowski at Galería Fran R

'The place that can never be' by Anna Taganzeva at Plague Space, Krasnodar

'Chocolate Goblin' by Travis John Ficarra at Glasshouse, Victoria

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TARGET GROUP SHOW, conceived by Hannes Schmidt at BRAUNSFELDER, Cologne

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'Underground Memorandum' by Richard Nikl at Shore, Vienna

'All Watched Over by Emissaries of Loving Grace' by Louis Morlæ at Duarte Sequeir

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'Deceiving players' by Rimma Arslanov at KOENIG2 by_robbygreif, Vienna

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