image text special

'Killer Diorama' by Fred Escher at Catbox Contemporary, New York

article image; primary-color: #DDD6C3;
article image; primary-color: #B3B882;
article image; primary-color: #C4BF88;
article image; primary-color: #C8C590;
article image; primary-color: #B8B68D;
article image; primary-color: #BEC59C;
article image; primary-color: #AABEA3;
article image; primary-color: #D2D06B;

"I can't talk about art or ideas or the creative act. I dream, day and night. Most of the time I dream about something that didn't happen to me and is not going to happen to me. It is called thinking, and that is a riddle wrapped inside a mystery and inside, is a mystery of me. My thinking is like watching TV. Nothing happens. I want to be lobotomized by boredom.

I dream as if it were happening, both past and present, day and night. People talk about ideas and inspiration. I don't think I have that kind of body or mind. I don’t know where dreams come from and I don’t know where you go to find ideas; you either have a helium connection to feelings or you don’t. I can't talk about dreams or what things mean. I have silence in my brain and it sits on my tongue. Hiding in my head is the dream and I pick up a brush or a pencil and let it out. I can't put it into words, I can only paint or draw it.

If you find a dream, work with it, if you don’t have dreams get a job (I worked at CVI making stretchers for 25 years). If you read a book or a newspaper or travel to another country, that is good for your life, but don’t take that stuff into your studio. I don’t know what influences me, or who; but I am guilty of looking at art.

I do not feel like I missed anything by not painting or drawing for 26 years. If you stop breathing you die, if you stop making art, nothing happens, you just find something else to do. Now, I feel like painting and here I am: a painter.”

— FRED ESCHER

11.11.18 — 9.12.18

Catbox Contemporary

'Access Modes for Encountering Large Industrial Bodies' by Kitty Maria at Het Res

'La ballade des sardines – Die Liebe der Sardinen' by Robert Brambora at Sans tit

'Weathered Shabby Shabby Brenches: Vernal Festivity of the Four Clari' by MRZB at

'Rose Button' by Romain Vicari at Placement Produit, Aubervilliers

'리좀적 주문 Rhizomatic Spell', a Group Show at Kvalitář, Prague

'Die ZWEITE HAND' by Niclas Riepshoff at Stadium, Berlin

'Bit Rot' by Bob Bicknell-Knight at Broadway Studio and Gallery, Letchworth Garde

'ALL ONE' by MYLASHER / Tine Günther at The Complex, Dublin

'Jacques de Bascher', a Group Show at Treize, Paris

'Confusion is next and next after that is the truth' by Jonathan Castro Alejos at

'Dewdrop Toadstool Hopscotch' by Isabelle Adams at Garthim, Mattheissen State Par

Behrang Karimi at Zarinbal Khoshbakht, Cologne

'Selfing' by Elif Saydam at MÉLANGE, Cologne

'From the Xmas Tree of Lucy Bull 2', a Group Show at From the Desk of Lucy Bull,

'Lotosesser' by Ernst Yohji Jaeger at 15 Orient, New York

'Smile, angry lamb', a Group Show Curated by Ilya Smirnov at Daipyat, Voronezh

'Sleep Ambassador' by Joe Greer at Sinkhole Project, Baltimore

Screening: 'Last Page', a clip by Nicholas Matthew Elstran featuring a track from

More