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'Redwall, But For Your Dead Pets Only' by Genevieve Goffman at Catbox Contemporary, New York

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The full synthesis of art and science, toward
 which all workers labor, is to be found in the resurrection of the  dead. The aim of all labor is to overcome time.

— Alexander, The Visionary

In a time beyond time, in a time with no future, in a time when the perpetual utopic present cradles the past in its arms, your childhood pet lives on the moon.

During the Space Race the United States and USSR hurled many helpless animals into space. But four who were thought to be dead survived and thrived on the moon.

Alone on the moon they developed a science far beyond our comprehension.

When they returned to earth they risked everything to defeat death and halt the grinding violence engine of human progress and resurrect every pet and bring them home to the moon.

Welcome to Redwall, But For Your Dead Pets Only.

It’s the perfect timeless moon commune.

17.3.19 — 14.4.19

Catbox Contemporary

'Discounts' by Egon Van Herreweghe at CONVENT, Ghent

'Never Early but Always On Time', Group Show at Apartment 13, Providence

'Daybreak' by Elisa Barrera at Lucas Hirsch, Dusseldorf

'Hat Box' by Julie Malen at Catbox Contemporary, New York

'19742 Ceremony' by Dishon Yuldash at Daipyat, Voronezh

'STILL MAGIC', Group Show at Redkie Iskusstva, Saint-Petersburg

'Methods for Regional Stewardship' by Will Bruno at Smart Objects, Los Angeles

'In Flames' by Inside Job at Lily Robert, Paris

'Spas Setun Dystopian Party Collection', Group Show at Spas Setun, Moscow

Money Gallery at BIENVENUE ART FAIR, Hotel La Lousiane, Paris

'Ok boomer', Group Show at Plague Space, Krasnodar

Greg Meza at ANDNOW/​WAREHOUSE, Dallas

'Von der schenkenden Tugend', Group Show at Zarinbal Khoshbakht, Cologne

Matthew Peers, Max Ruf at Lady Helen, Berlin

'Green changed to white, emerald to opal, nothing was changed' by Vadim Murin at

Chamber Realm at Dungeon, Detroit

'Bomba de humo (cloud point)' by Matias Solar at Relaciones Públicas, Mexico City

'Nocturne No. 1' by Brian Oakes at Mery Gates, New York

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