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'Hannah Hoffman' at ISELP by Clovis XV, Brussels

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I really felt like I connected with you when you performed last time. It was so touching and shared such an emotional story. I gained a great deal of respect for you as an actress because of how you portrayed them. It was such an emotional role and heartfelt role, and you performed with extreme elegance and grace. It really allowed me to feel the character’s emotions and dive deep into reality. Furthermore, your style has inspired me. It makes me laugh, cry, and it always encourages me to be the best version of myself. I love how your moves vary from super fun to deep seriousness. How your words spread in my mind as fluids into my entire body. It gives me so much energy each time I hear you, it’s like a chemical substance in my blood. How are you able to act so naturally? It’s like they are colors, with lights which may range from intense light green to intense dark green. I am also so impressed by your generosity, the way you let people come closer and closer, and the very big way you respect them. I really hope that the show will evolve in a good way, and I am so excited by this idea of extending it from the beginning to the end. It’s such a great idea! And one more thing but I am not sure I should say it and maybe you’ll think I am so young ( what I’m actually not ). It’s a bit embarrassing but I also love so much your new haircut and I am very inspired by how confident you are when it comes to changing your image. You never seem to care what anyone else thinks of you, and that is such an admirable quality. I wish you all the best, Sincerely and truly yours.

5.5.17 — 30.5.17

Julien Saudubray & Anastasia Bay

Performers invited: Clément Delhomme, Antoine Boute, Benoît Toqué, Dominic Wood, Audrey Gleizes & Maya de Mondragon, aalliicceelleessccaannee&ssoonniiaaddeerrzzyyppoollsskkii, Margaux Schwarz, Vincent Sornaga, Ive Van Bostraeten

Location: ISELP Institut supérieur pour l’étude du langage plastique Boulevard de Waterloo, 31 1000 Bruxelles

Clovis XV

'Access Modes for Encountering Large Industrial Bodies' by Kitty Maria at Het Res

'La ballade des sardines – Die Liebe der Sardinen' by Robert Brambora at Sans tit

'Weathered Shabby Shabby Brenches: Vernal Festivity of the Four Clari' by MRZB at

'Rose Button' by Romain Vicari at Placement Produit, Aubervilliers

'리좀적 주문 Rhizomatic Spell', a Group Show at Kvalitář, Prague

'Die ZWEITE HAND' by Niclas Riepshoff at Stadium, Berlin

'Bit Rot' by Bob Bicknell-Knight at Broadway Studio and Gallery, Letchworth Garde

'ALL ONE' by MYLASHER / Tine Günther at The Complex, Dublin

'Jacques de Bascher', a Group Show at Treize, Paris

'Confusion is next and next after that is the truth' by Jonathan Castro Alejos at

'Dewdrop Toadstool Hopscotch' by Isabelle Adams at Garthim, Mattheissen State Par

Behrang Karimi at Zarinbal Khoshbakht, Cologne

'Selfing' by Elif Saydam at MÉLANGE, Cologne

'From the Xmas Tree of Lucy Bull 2', a Group Show at From the Desk of Lucy Bull,

'Lotosesser' by Ernst Yohji Jaeger at 15 Orient, New York

'Smile, angry lamb', a Group Show Curated by Ilya Smirnov at Daipyat, Voronezh

'Sleep Ambassador' by Joe Greer at Sinkhole Project, Baltimore

Screening: 'Last Page', a clip by Nicholas Matthew Elstran featuring a track from

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