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'All the World’s Organ’s' by Mitchell Kehe at 15 Orient, New York

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They saw it moving slowly between the trees. It was round like a wheel but not a perfect circle as it probably once was. It rolled nervously over cracking twigs and dry underbrush. It was at least a few hundred feet from the road if not more.

They couldn’t tell how it was able to find its way. Maybe it was lost. It seemed to have a defined shape but within that form it was shifting, like a cuttlefish. It contained a barely visible interior that rotated and sparked as it rolled in its lopsided rhythm. Someone said they thought they heard it crying but the others just heard a low scraping sound.

It was unnatural or some aggregate of natural materials cooked and mutated, bent and cut, molded into its abstract form. At least, it felt abstract among the trees; probably less so in the constructed human world where, it must feel more comfortable among the other monsters and mutants.

15.11.19 — 5.12.19

15 Orient

'The Host' by Pakui Hardware at eastcontemporary, Milan

'Chlamydomonas Nivalis' by Alberto Tadiello at Umberto Di Marino Gallery, Napoli

'The Centre' by Patrick Cole and Dominic Watson at Kupfer, London

'Ghost Member: Prosthesis/ Symbiosis as a shelter' by Naomi Maury at L'Assaut de

'I show you the signs of life' by Alina Izmaylova at Kerka gallery, Saint-Petersb

'I Don't Want No Trouble' by Lucas Erin at All Stars, Lausanne

'The Grime and the Schmutz' by Béla Feldberg at Jo-Anne, Frankfurt am Main

'Night of Hinnā' by Monia Ben Hamouda at Bungalow, ChertLüdde, Berlin

'Getting Down to Business' by Rebecca Rothenborg at Galerie Roland Puschitz, Vien

'Why Me?' by Pietro Agostoni at Associazione Barriera, Turin

'Holloway - ‘Das Gift’ is a Gift' by Céline Struger at Loggia, Vienna

'Under the Moon' Group Show at Camp Eternal Hell Chamber, New York

'SUPER-NATURAL', Group Show at OLHÃO, São Paulo

'Body Electric' by Zuza Golinska at Galerie Anton Janizewski, Berlin

'Almost Collapsing Balance' by Liao Wen at Capsule Shanghai

Curated by: 'HARDCORE FREEDOM' by Esben Weile Kjær at Zeller van Almsick, Vienna

anonymous, naïve ca. 1970– at Money Gallery, Saint Petersburg

'Real Life Shoes', Group Show at Atelierhaus Klingental, Basel

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