image text special

'Bodyhunter: Monist Crysis' by Nik Kosmas at Alyssa Davis Gallery, New York

article image; primary-color: #B09D97;
article image; primary-color: #B39F9E;
article image; primary-color: #A87F7D;
article image; primary-color: #854B37;
article image; primary-color: #A1746F;
article image; primary-color: #AE6D73;
article image; primary-color: #85594E;
article image; primary-color: #946E6B;
article image; primary-color: #A2706F;
article image; primary-color: #AE6658;
article image; primary-color: #9D6252;
article image; primary-color: #BCB9B4;
article image; primary-color: #96A996;
article image; primary-color: #A3A194;
article image; primary-color: #4D7B8A;
article image; primary-color: #4D5B7E;
article image; primary-color: #76B0A4;
article image; primary-color: #B8A98A;

The essential purpose of these questions, at least since the Renaissance, has been to present three planes, or three fields, and their possible articulations in a given period. The first of these planes, it can be said, is that of the body. By “body” we mean what the human uses to present himself to the world and measure up to it. The second plane is that of landscape. By “landscape” we mean both all that has not been created by human hands and all that man has added to the original state of affairs, while at the same time transforming it. The third plane is that of the cosmos. By “cosmos” we mean everything that is “above” man and the landscape: clouds and stars, angels and gods, spiritual powers or unknowable void.

... Excerpt from Jean-Louis Poitevin’s Convulsions: An Essay on the World of Lee Bul

23.11.19 — 12.1.20

Alyssa Davis Gallery

'Impermanence' by Nicolas Lamas at In extenso, Clermont-Ferrand

'Mal', Off-Site Show at the James River Pipeline, Richmond

'Camouflage', Off-Site Show by prsntprsnt in Shui Long Wo, Sai Kung, Hong Kong

'LMXJVSD' by Marina G Guerreiro at Pols, Valencia

'Glossy Inviolability' by Zsófia Keresztes at Elijah Wheat Showroom, New York

'Eye to Eye Delirium' by Sofia Sinibaldi at Interstate Projects, New York

'A Tinkling Sound', a Group Show at Kunsthalle Wichita

'I am Thankful to be a Ghost Now', a Group Show at Aldea Gallery, Bergen

PALAZZINA #03: Melanie Akeret, Haydée Marin, Hannes Zulauf at Palazzina, Basel

'Tiredness Quotes' by Barbora Zentková & Julia Gryboś at Karlin Studios, Prague

'New Psychedelia of Industrial Healing' by Sharona Franklin at King’s Leap, New Y

'Another Night in Dream City' by Seán Boylan at Stranger, Baltimore

'I SAW A CROW, ORCA WAS I' by Alison Yip at Monte Clark Gallery, Vancouver

'DIGESTING DUCK ENTRY LEVEL POSITION' by Isabelle Frances McGuire at From the Des

'Access Modes for Encountering Large Industrial Bodies' by Kitty Maria at Het Res

'La ballade des sardines – Die Liebe der Sardinen' by Robert Brambora at Sans tit

'Weathered Shabby Shabby Brenches: Vernal Festivity of the Four Clari' by MRZB at

'Rose Button' by Romain Vicari at Placement Produit, Aubervilliers

More