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'Penumbra' by Sarah Księska at Ramiken, New York
Exhibition view
Exhibition view
Exhibition view
Exhibition view
Exhibition view
Exhibition view
Exhibition view
Exhibition view
Exhibition view
Exhibition view
Exhibition view
Sarah Księska Blind spots, 2022 Oil on primed aluminum panel 39 1/2 x 31 x 1/2 inches (100 x 80 cm)
Sarah Księska Blind spots, 2022 Oil on primed aluminum panel 39 1/2 x 31 x 1/2 inches (100 x 80 cm)
Sarah Księska Capsule, 2022 Oil on primed aluminum panel 71 x 47 x 1/2 inches (180 x 120cm)
Sarah Księska Capsule, 2022 Oil on primed aluminum panel 71 x 47 x 1/2 inches (180 x 120cm)
Sarah Księska Heliotrope, 2022 Oil on primed aluminum panel 20 x 16 x 1/2 inches (50 x 40 cm)
Sarah Księska Heliotrope, 2022 Oil on primed aluminum panel 20 x 16 x 1/2 inches (50 x 40 cm)
Sarah Księska Hummingbird, 2022 Oil on primed aluminum panel 20 x 16 x 1/2 inches (50 x 40 cm)
Sarah Księska Hummingbird, 2022 Oil on primed aluminum panel 20 x 16 x 1/2 inches (50 x 40 cm)
Sarah Księska Make love, 2022 Oil on primed aluminum panel 39 1/2 x 31 1/2 x 1/2 inches (100 x 80 cm)
Sarah Księska Make love, 2022 Oil on primed aluminum panel 39 1/2 x 31 1/2 x 1/2 inches (100 x 80 cm)
Sarah Księska, Solar wind, 2022, 50 x 40 cm
Sarah Księska, Solar wind, 2022, 50 x 40 cm
Sarah Księska Storm, 2022 Oil on primed aluminum panel 39 1/2 x 31 1/2 x 1/2 inches (100 x 80 cm)
Sarah Księska Storm, 2022 Oil on primed aluminum panel 39 1/2 x 31 1/2 x 1/2 inches (100 x 80 cm)
Sarah Księska UFO, 2022 Oil on primed aluminum panel 39 x 31 inches x 1/2 inches (100 x 80 cm)
Sarah Księska UFO, 2022 Oil on primed aluminum panel 39 x 31 inches x 1/2 inches (100 x 80 cm)
Oh my melancholy Sun, pray tell, what could blind thee?
A prick upon a floating seat, a raining cloud of Self;
such different shades of DMT blues.
A little malice waits for a sensitive bottom.
A couch upholstered in nipples and eyes
glides into the cosmos,
riding a room that didn’t stop at the last floor.
(Big and small) eyeballs catch the unseen,
holstered in wet pastel reptile.
An old masked creature covets
a stash of doves and red blood cells, her youth:
a giant marble memory to hold forever.
Techno hummingbird dove starfish;
the face of corrosion, gripped by circuitry.
As the light fades, the subconscious grinds harder and harder. Visible reality begins to lose, unable to tame the unseen.
Księska conjures the celestial denizens of her twilight zone, suspended in perspective,
tweaked hallucinations, girdled in creep,
blooming on iced aluminum.
The oil worked to a sublime matte.
Painted with brushes. Often, makeup brushes.
To feel the extremes.
20.5.22 — 25.6.22
Ramiken
20.5.22 — 25.6.22 [Ramiken](http://www.ramikencrucible.com/)
New York
Ramiken
Sarah Księska
US
'Cosmovisions', Group Show at Medusa Offspace, Brussels
'No Time To Explain' by Paul Robas at Solito, Naples
'Night Rider' by Yan Posadsky at Devyatnadtsat’, Moscow
'Funding Emotions' by Magnus Frederik Clausen and Kaare Ruud at Cantina, Aarh
us
'What I felt for you was love', Group Show at Afternoon Projects, Vancouver
'Mirror Stage' by Bora Akinciturk and Ella Fleck at Shipton, London
‘Millions Now Living Will Never Die!’ by Ian Swanson at Plague Space, Krasnod
ar
'VEGAN' by Jack Jubb at house of spouse, Vienna
'Fresh Hell' by Jonah Pontzer at Rose Easton, London
'It's quite like Guggenheim', Group Show at Ringcenter 1, Berlin
'OUTER DARKNESS', Off-Site Project by Allyson Packer in 1698 GALISTEO, SANTA
FE
'mareas' by Elizabeth Burmann at Galeria Patricia Ready, Santiago
'Vape Cloud Premonition' by Sam Hutchinson at Forth, Nottingham
'Punch-Drunk' by Yutaro Ishikawa at LAID BUG, Tokyo
'Le sort des Labourgue' by Angélique Aubrit & Ludovic Beillard at Les Capucin
s, E
'All is Full of Love' by Michiel Ceulers at Pizza Gallery, Antwerp
½, Group Show at Devyatnadtsat’ gallery, Moscow
'Shady Garden' by Immanuel Birkert at Galerie Tobias Naehring, Leipzig
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