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'Routine à la mode', a Group Show at Kimberly Klark, New York

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Installation View
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Installation View
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Dylan Vandenhoeck, Subway, 2019
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Dylan Vandenhoeck, Subway, 2019
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Installation View
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Rafael Delacruz, Record player with vinyl, 2017
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Rafael Delacruz, Record player with vinyl, 2017
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Rafael Delacruz, Record player with vinyl, 2017
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Rafael Delacruz, Record player with vinyl, 2017
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Installation View
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Bradley Kronz, A Star Is Made + Wet Spot, 2019
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Bradley Kronz, A Star Is Made + Wet Spot, 2019
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Installation View
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Camila Guerrero, More Brighter, 2019
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Camila Guerrero, More Brighter, 2019
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Camila Guerrero, More Brighter, 2019
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Camila Guerrero, More Brighter, 2019
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Installation View
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Izabelle New, Keep Coming Back (patience), 2019
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Izabelle New, Keep Coming Back (patience), 2019
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Izabelle New, Keep Coming Back (patience), 2019
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Izabelle New, Keep Coming Back (patience), 2019
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Paige K. B., imagine this publication from exceedingly minor riffs Toward a Theory of giveth and taketh away w/breaks for Paige K. Bradley’s correspondence in a stream of promise, 2019
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Paige K. B., imagine this publication from exceedingly minor riffs Toward a Theory of giveth and taketh away w/breaks for Paige K. Bradley’s correspondence in a stream of promise, 2019
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Paige K. B., imagine this publication from exceedingly minor riffs Toward a Theory of giveth and taketh away w/breaks for Paige K. Bradley’s correspondence in a stream of promise, 2019
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Paige K. B., imagine this publication from exceedingly minor riffs Toward a Theory of giveth and taketh away w/breaks for Paige K. Bradley’s correspondence in a stream of promise, 2019

Exercise is the ceaseless pursuit of ever more refined “results”. It is a personified action or series of actions that have a beginning, but no end. ​You​ determine where time is made and ​you​ decide when it is done. ​You​ choose to believe in a goal beyond the wall of apparent futility; ​you choose to avoid it, to avoid yourself. In his 2004 essay ‘Against Exercise’, Mark Grief indicates the fallacy of this choice. “Exercise...” he argues, “comes to us as an emissary from the realm of biological processes. It falls under the jurisdiction of the obligations of life itself, which only the self-destructive neglect.”

It's inherently physical, repetitive, buildable, reliant on a succession of burning actions. It's a palimpsest. Its three syllables resonate Americanness to an almost nauseating degree, carrying in its wake a rhythmic allegiance to the ethics of capitalist collectivism, but I like thinking about it in the singular form, where it slips into something more precise and bizarre. My impression of your work is that it's often quite nonchalantly methodical, without feeling severe. It's very worked-on, verging on chaotic... but very simple. It’s very singularly directed by your personal thoughts, feelings, influences, memories and energies. It's built and rebuilt and the finished piece suggests layers of something physical and temporal about which only you truly know the history.

Going through the motions day in, day out, you hope to find a thermodynamic system of reciprocity between your dedication and the world, or at least a good reason to leave the house.

18.7.19 — 18.8.19

Paige K. B., Rafael Delacruz, Camila Guerrero, Bradley Kronz, Izabelle New, Dylan Vandenhoeck

Kimberly Klark

'The Houses Of The Serpent Bearer. The 9th House' by Mónica Mays & Flora Yin-Wong

'Dream Archipelago', Group Show Curated by Sergey Guskov at Smena, Kazan

'Eternal Flame', Group Show at Shore, Vienna

'Cosmovisions', Group Show at Medusa Offspace, Brussels

'No Time To Explain' by Paul Robas at Solito, Naples

'Night Rider' by Yan Posadsky at Devyatnadtsat’, Moscow

'Funding Emotions' by Magnus Frederik Clausen and Kaare Ruud at Cantina, Aarhus

'What I felt for you was love', Group Show at Afternoon Projects, Vancouver

'Mirror Stage' by Bora Akinciturk and Ella Fleck at Shipton, London

‘Millions Now Living Will Never Die!’ by Ian Swanson at Plague Space, Krasnodar

'VEGAN' by Jack Jubb at house of spouse, Vienna

'Fresh Hell' by Jonah Pontzer at Rose Easton, London

'It's quite like Guggenheim', Group Show at Ringcenter 1, Berlin

'OUTER DARKNESS', Off-Site Project by Allyson Packer in 1698 GALISTEO, SANTA FE

'mareas' by Elizabeth Burmann at Galeria Patricia Ready, Santiago

'Vape Cloud Premonition' by Sam Hutchinson at Forth, Nottingham

'Punch-Drunk' by Yutaro Ishikawa at LAID BUG, Tokyo

'Le sort des Labourgue' by Angélique Aubrit & Ludovic Beillard at Les Capucins, E

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