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'Souvenirs From Belgium' by Tom Volkaert at Catbox Contemporary, New York

It's been harder to disguise the scars of past installations. Before you stands a carpeted dwelling at an interim stop after a three year cycle of continuous transmogrification. This cat's domicile is becoming less and less itself every day; shifting shape from a theatre, to a sanctuary, to a display case. Now it is a body, looming over the apartment from its corner like a golem; except it is caught mid mutation. The tree has grown a head. Its eyes have sprouted stocks, which are used as crude tentacles to crawl to higher vantage points. From there they are watched while they observe, keeping close surveillance of the small offerings adorning the soft platforms below. These gifts are for the taking, familiar souvenirs from a strange visage. 

29.2.20 — 4.4.20

Catbox Contemporary

'The Chase' by Jürgen Baumann at Material, Zurich

'The Host' by Pakui Hardware at eastcontemporary, Milan

'Chlamydomonas Nivalis' by Alberto Tadiello at Umberto Di Marino Gallery, Napoli

'The Centre' by Patrick Cole and Dominic Watson at Kupfer, London

'Ghost Member: Prosthesis/ Symbiosis as a shelter' by Naomi Maury at L'Assaut de

'I show you the signs of life' by Alina Izmaylova at Kerka gallery, Saint-Petersb

'I Don't Want No Trouble' by Lucas Erin at All Stars, Lausanne

'The Grime and the Schmutz' by Béla Feldberg at Jo-Anne, Frankfurt am Main

'Night of Hinnā' by Monia Ben Hamouda at Bungalow, ChertLüdde, Berlin

'Getting Down to Business' by Rebecca Rothenborg at Galerie Roland Puschitz, Vien

'Why Me?' by Pietro Agostoni at Associazione Barriera, Turin

'Holloway - ‘Das Gift’ is a Gift' by Céline Struger at Loggia, Vienna

'Under the Moon' Group Show at Camp Eternal Hell Chamber, New York

'SUPER-NATURAL', Group Show at OLHÃO, São Paulo

'Body Electric' by Zuza Golinska at Galerie Anton Janizewski, Berlin

'Almost Collapsing Balance' by Liao Wen at Capsule Shanghai

Curated by: 'HARDCORE FREEDOM' by Esben Weile Kjær at Zeller van Almsick, Vienna

anonymous, naïve ca. 1970– at Money Gallery, Saint Petersburg

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