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'This Placement: 50/50', a Group Show Curated and Organized by Daniel Hüttler at Another Gallery CDMX, Mexico City

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“It ends with love, exchange, fellowship. It ends as it begins, in motion, in between various modes of being

and belonging, and on the way to new economies of giving, taking, being with and for. It ends with a ride on

the way to another place altogether”*

AS BLOOD FLOWS

This Placement is not displacement

This Placement stands for itself as well as for others

This Placement aknowledges the various defaults of origins

This Placement splits into two to cure the division between opposite struggles

This Placement is situationist as well as universalist

This Placement ditributes the blood in our hands

This Placement influxes stuck systems of value by eliminating intermediators.

This Placement referes to precolonial history **

to deploy strategies of care.

50% for the artist

50% for the local resistance

CCCC

————————————————————————————————

*Halberstein, Jack, introduction text for THE UNDERCOMMONS, FUGITIVE PLANNING & BLACK

STUDY
, Stefano Harney & Fred Moten, p.01, Minor Compositions, 2013

**at this point it is crucial to mention and aknowledge the revisionary discourse that such historical constructs are undergoing but ill like to set an argument by citing Ruben Mendoza in his Aztec Militarianism and blood sacrifice article: “This chapter is by no means intended to constitute the definitive treatment for considerations of Mexica ritual violence and bloodshed, […] . Rather, my intention remains to move the debate away from the simplistic question of whether Amerindians engaged in religious violence and cannibalism to the deeper question of why any human group would have adopted ritual sacrifice and antropophagy on a monumental scale.”

G. Mendoza, Rubén, Aztec Militarism and blood sacrifice: the archaeology and ideology of ritual violence, p.53, university of arizona Press, 2007

7.2.19 — 10.2.19

Lucia Elena Průša, Zsófia Keresztes, Marek Delong and Anna Slama, core.pan, Botond Keresztesi, Estrid Lutz, ANOTHER NAME, Luna Ghisetti, Eiko Groeschl, Laurids Oder, Malte Zander, Anthea Schranz, One Path Leads To Another

Poster Design by Kristyna Kulikova and Alexandr Martsynyuk

Another Gallery CDMX

'Nothing More Than Feelings' by Davide La Montagna at Gallery of Fantastic Art, T

'ALKOVE' by Rolf Nowotny at Christian Andersen, Copenhagen

'A sight to cover the site of impact', Off-Site project by Sierra Shooting Associ

'A Selene Blues' by Giulia Essyad at Fri Art Kunsthalle, Fribourg

'Disparaitre(Geneve)' by Ethan Assouline at Zabriskie Point, Geneva

'Kozel - Alkazar (Early Access)', Online Show for Zaazrak|Dornych experimental sp

'Black Tarantula' at Lungo Stura Lazio, Turin

'The Leaking Bodies Series' by Barbara Kapusta at Gianni Manhattan, Vienna

'(...) Ninfa' by Vincent Lo Brutto at Chapelle Saint-Jean, Mulhouse

'Indoor feelings, and single-door kennels in your soul' by Robert Roest with Cinn

'Istaqsinaayok' by Bradford Kessler at Kunsthalle Wichita

'Spans' by Olga Pedan at Jakob Forster, Rotterdam

'Show World Order' by Valentina Vaccarella at Other Subject, New York

Group Exhibition #1 at FR MoCA, Fall River

'Current assets' by Sebastian Hedevang at C.C.C., Copenhagen

'Follow the Rainbow', Group Show Curated by TZVETNIK at ISSMAG, Moscow

'PANHUMANO' by Calabash Kids at Cordova, Barcelona

'eddy', Group Show at M23, New York

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