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'What Would the Community Think' at Hotel Art Pavilion, New York

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Stephanie Hier, Have you heard any good jokes lately?, 2016
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Tom Forkin, Untitled, 2017
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Jessica Friedman, Popcorn Disassociation, 2017
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Andy Meerow, Turtles, 2015
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Elizabeth Englander, Nassau Point, 2017
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Lillian Paige Walton, Hrsems, 2017
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Doris Guo, Dishes, 2017
What Would the Community Think was the second album Chan Marshall released in 1996, but its richness suggests a longer period of evolution. From the first warm notes of "In this Hole," it's clear that Marshall's voice -- as a singer and a songwriter -- is not only stronger and more focused, but more empathetic as well. Where her previous works were dense and cathartic, What Would the Community Think gives her voice and lyrics space to unfurl and involve the listener; the title track alone holds an album's worth of eloquence in Marshall's hushed, clear vocals, backed by guitar, feedback, and an eerie, echoing piano. Fortunately, that leaves Marshall 11 other tracks with which to forge a fine balance between angular, angst-ridden punk and her gentler, folk-country tendencies. Different combinations of these extremes make Cat Power's sound more diverse but also more cohesive. Tense, tight songs like "Good Clean Fun" and "Nude as the News" retain the reflective, thoughtful nature of quieter numbers like "King Rides By" and "Water and Air," which turn the power of the album's louder moments into slow-building, implosive tension. Two of What Would the Community Think's finest moments, "They Tell Me" and "Taking People," are unabashedly blues and country-inflected, revealing Marshall not just as a cathartic vocalist, but as a true soul singer. Similarly, her covers of Peter Jefferies' "Fate of the Human Carbine" and Smog's "Bathysphere" show off Marshall's ability to make any song a Cat Power song. An intimate, personal album, What Would the Community Think makes imperfection beautiful and turns vulnerability into musical strength.

— Heather Phares

21.10.17 — 23.11.17

Elizabeth Englander, Tom Forkin, Jessica Friedman, Doris Guo, Stephanie Hier, Andy Meerow, Lillian Paige Walton

Curated by Tim Gentles

Hotel Art

'To be sitting on the fence', Group Show at TNT, Paris

'Not your love song' by Karina Azizova at Marina Gallery, Saint-Petersburg

'Green Belt', Group Show Curated by Em Marie Davenport at Jargon Projects, Chicag

'Cellular' by Andrei Pokrovskii at Plague Space, Krasnodar

'Rest' by Quay Quinn Wolf at Prairie, Chicago

'Bright Lights, Big City & No Fun', Curated by No Gallery at Shoot The Lobster, N

'Eavesdropping' by Adam Cruces at Blue Velvet Projects, Zurich

'QUALITY OF LIFE' by Brad Logan Heappey at Ivan Anthony Gallery, Auckland

'Klammern aus denen Blätter Sprießen', Group Show at Hunter Shaw Fine Art, Los A

'Mirror Runs Mouth' by Cooper Jacoby at High Art, Arles

'A Throw of the Dice' by Arthur Golyakov at Devyatnadtsat’, Moscow

'Lèche-vitrine', Group Show at Cocotte, Treignac

'Masters and Servants', Group Show Curated by Guillaume Breton at Centre d’art Yg

Anna Solal, Arthur Marie Curated by Ilya Smirnov at Lily Robert, Paris

'down4u' by Taka Kono at Ritsuki Fujisaki Gallery, Tokyo

'Controra Ep. I', Group Show Curated by Like A Little Disaster at Palazzo San Giu

'a fairy show II' at Veronica, Seattle

'The Curious' by Marta Frėjutė at VAA gallery Artifex, Vilnius

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