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'Retrograde', a Group Show at Deli Gallery, New York

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Exhibition view

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Exhibition view

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Exhibition view

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Alexandria Tarver, New painting - fathoms deep 3, for Mark, 2019 / New painting - beached 1, 2019

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Raque Ford, An evil person to me is a complicated one, 2019

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Raque Ford, An evil person to me is a complicated one (detail), 2019

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Exhibition view

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Exhibition view

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Exhibition view

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Exhibition view

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Cudelice Brazelton, Leatherettes (Big Indigo), 2019

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Cudelice Brazelton, Leatherettes (Big Indigo) (detail), 2019

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Cudelice Brazelton, Leatherettes (Bleached Ebony), 2019

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Cudelice Brazelton, Leatherettes (Bleached Ebony) (detail), 2019

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Cudelice Brazelton, Leatherettes (Hard Cobalt), 2019

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Cudelice Brazelton, Leatherettes (Hard Cobalt) (detail), 2019

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Cudelice Brazelton, Leatherettes (Tunic Ash), 2019

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Cudelice Brazelton, Leatherettes (Tunic Ash) (detail), 2019

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Exhibition view

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Exhibition view

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Lewis Hammond, The Sun Also Rises in Hell, 2019

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Exhibition view

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Lewis Hammond, Retrograde, 2019

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Raque Ford, I think I forgot what I was going to tell you what I was going to write you, 2019

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Raque Ford, I think I forgot what I was going to tell you what I was going to write you (detail), 2019

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Exhibition view

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Exhibition view

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Raque Ford, Well if I’m the devil, 2019

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Exhibition view

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Alexandria Tarver, New painting - tread/float 1, 2019 / New painting - rise/rush 1, 2019 / New painting - bleached 3, 2019

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Lewis Hammond, Two Figures In A Landscape, 2019

There is a spider that comes and visits me every night and wakes me up by crawling slowly over my resting body. By the time it gets near my ear, I’m awake and too scared to swipe it off of me. It always wants to talk.

It’ll ask me the most random questions. Last night the spider asked me, “What would be your power look? When you think of yourself in the most confident light what would you be wearing?”

I didn’t know how to answer the question so the spider helped out and said, “I imagine myself in a well tailored suit, with a low cut button up blouse. And maybe the suit is powder pink and I’m standing in my most boss ass bitch pose. Really working the suit. What about you?”

I told the spider in a low whisper, “I’m tired, but I think when I imagine myself most confident I see myself in my own clothing like this beige dress I have and my see thru forever 21 top, and I’m wearing those big clunky heels over there. Or maybe I see myself in a ton of ruffles that cascade down into a dress, very femme. But I don’t know. I’m tired and you know how I hate spiders.”

The spider apologized and said, “fine fine I will leave you alone...also ruffles is a weird choice” and then the spider crawled away to let me sleep.

— Raque Ford

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19.4.19 — 12.5.19
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Cudelice Brazelton, Raque Ford, Lewis Hammond, Alexandria Tarver
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'THE KING’S TWO BODIES' by Bea Orlandi at Interstate Projects, New York

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'Everyday Is in Eternity Bound', a Group Show at WallRiss, Fribourg

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'Kyffhäuserstraße 31', a Group Show at Ginerva Gambino, Cologne

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'The Clan Of Softness And Honor ' by Anna Slama & Marek Delong at Berlinskej Mode

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'Halo in a Hayloft' by Noel Freibert at Lubov, New York

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'A SCENARIO FOR A SILENT PLAY' by Sébastien Rémy at Les Bains-Douches, Alençon

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'Leona, Leone' by Bea Fremderman and Loreta Lamargese at La Kaje, New York

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'Taken and martyred by strangers' by Jakub Glinski at Town Culture Centre, Gorzów

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'It moves and it shouts', a Group Show at Haus N Athen, Athens

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'Galvanic Couple' by Irina Lotarevich at Futura, Prague

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Katja Novitskova at Hamburger Bahnhof, Berlin

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Aniara Omann at Humber Street Gallery, Hull

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'Barry Walking Himself' by Anastasia Sosunova at Kogo, Tartu

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'Feed Me Like a King' by David Nosek at Gallery 207, Prague

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'SAW U' by Vika Begalska and Aleksandr Vilkin at Foundation of Smirnov and Soroki

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'Verharzungen' by Max Negrelli, Yana Tsegay at The Reference, Frankfurt am Main

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'A Rigged and Sudden Machinery' by Stefan Schwartzman
 at MX Gallery, New York

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'TFW Too Intelligent' by Kid Xanthrax at Galerie U Mloka, Olomouc

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