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'Retrograde', a Group Show at Deli Gallery, New York

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Alexandria Tarver, New painting - fathoms deep 3, for Mark, 2019 / New painting - beached 1, 2019
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Raque Ford, An evil person to me is a complicated one, 2019
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Raque Ford, An evil person to me is a complicated one (detail), 2019
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Cudelice Brazelton, Leatherettes (Big Indigo), 2019
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Cudelice Brazelton, Leatherettes (Big Indigo) (detail), 2019
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Cudelice Brazelton, Leatherettes (Bleached Ebony), 2019
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Cudelice Brazelton, Leatherettes (Bleached Ebony) (detail), 2019
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Cudelice Brazelton, Leatherettes (Hard Cobalt), 2019
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Cudelice Brazelton, Leatherettes (Tunic Ash), 2019
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Cudelice Brazelton, Leatherettes (Tunic Ash) (detail), 2019
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Lewis Hammond, The Sun Also Rises in Hell, 2019
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Lewis Hammond, Retrograde, 2019
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Raque Ford, I think I forgot what I was going to tell you what I was going to write you, 2019
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Raque Ford, I think I forgot what I was going to tell you what I was going to write you (detail), 2019
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Raque Ford, Well if I’m the devil, 2019
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Alexandria Tarver, New painting - tread/float 1, 2019 / New painting - rise/rush 1, 2019 / New painting - bleached 3, 2019
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Lewis Hammond, Two Figures In A Landscape, 2019

There is a spider that comes and visits me every night and wakes me up by crawling slowly over my resting body. By the time it gets near my ear, I’m awake and too scared to swipe it off of me. It always wants to talk.

It’ll ask me the most random questions. Last night the spider asked me, “What would be your power look? When you think of yourself in the most confident light what would you be wearing?”

I didn’t know how to answer the question so the spider helped out and said, “I imagine myself in a well tailored suit, with a low cut button up blouse. And maybe the suit is powder pink and I’m standing in my most boss ass bitch pose. Really working the suit. What about you?”

I told the spider in a low whisper, “I’m tired, but I think when I imagine myself most confident I see myself in my own clothing like this beige dress I have and my see thru forever 21 top, and I’m wearing those big clunky heels over there. Or maybe I see myself in a ton of ruffles that cascade down into a dress, very femme. But I don’t know. I’m tired and you know how I hate spiders.”

The spider apologized and said, “fine fine I will leave you alone...also ruffles is a weird choice” and then the spider crawled away to let me sleep.

— Raque Ford

19.4.19 — 12.5.19

Cudelice Brazelton, Raque Ford, Lewis Hammond, Alexandria Tarver

Deli Gallery

'The rain of chrysanthemums rotted into hay' by Timur Aloev at Holešovická Šachta

'Bucolic Gang' by Mónica Mays at Rupert, Vilnius

'The Chase' by Jürgen Baumann at Material, Zurich

'The Host' by Pakui Hardware at eastcontemporary, Milan

'Chlamydomonas Nivalis' by Alberto Tadiello at Umberto Di Marino Gallery, Napoli

'The Centre' by Patrick Cole and Dominic Watson at Kupfer, London

'Ghost Member: Prosthesis/ Symbiosis as a shelter' by Naomi Maury at L'Assaut de

'I show you the signs of life' by Alina Izmaylova at Kerka gallery, Saint-Petersb

'I Don't Want No Trouble' by Lucas Erin at All Stars, Lausanne

'The Grime and the Schmutz' by Béla Feldberg at Jo-Anne, Frankfurt am Main

'Night of Hinnā' by Monia Ben Hamouda at Bungalow, ChertLüdde, Berlin

'Getting Down to Business' by Rebecca Rothenborg at Galerie Roland Puschitz, Vien

'Why Me?' by Pietro Agostoni at Associazione Barriera, Turin

'Holloway - ‘Das Gift’ is a Gift' by Céline Struger at Loggia, Vienna

'Under the Moon' Group Show at Camp Eternal Hell Chamber, New York

'SUPER-NATURAL', Group Show at OLHÃO, São Paulo

'Body Electric' by Zuza Golinska at Galerie Anton Janizewski, Berlin

'Almost Collapsing Balance' by Liao Wen at Capsule Shanghai

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