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'Retrograde', a Group Show at Deli Gallery, New York

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Alexandria Tarver, New painting - fathoms deep 3, for Mark, 2019 / New painting - beached 1, 2019
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Raque Ford, An evil person to me is a complicated one, 2019
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Raque Ford, An evil person to me is a complicated one (detail), 2019
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Cudelice Brazelton, Leatherettes (Big Indigo), 2019
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Cudelice Brazelton, Leatherettes (Big Indigo) (detail), 2019
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Cudelice Brazelton, Leatherettes (Bleached Ebony), 2019
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Cudelice Brazelton, Leatherettes (Bleached Ebony) (detail), 2019
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Cudelice Brazelton, Leatherettes (Hard Cobalt), 2019
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Cudelice Brazelton, Leatherettes (Hard Cobalt) (detail), 2019
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Cudelice Brazelton, Leatherettes (Tunic Ash), 2019
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Cudelice Brazelton, Leatherettes (Tunic Ash) (detail), 2019
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Lewis Hammond, The Sun Also Rises in Hell, 2019
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Lewis Hammond, Retrograde, 2019
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Raque Ford, I think I forgot what I was going to tell you what I was going to write you, 2019
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Raque Ford, I think I forgot what I was going to tell you what I was going to write you (detail), 2019
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Raque Ford, Well if I’m the devil, 2019
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Alexandria Tarver, New painting - tread/float 1, 2019 / New painting - rise/rush 1, 2019 / New painting - bleached 3, 2019
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Lewis Hammond, Two Figures In A Landscape, 2019

There is a spider that comes and visits me every night and wakes me up by crawling slowly over my resting body. By the time it gets near my ear, I’m awake and too scared to swipe it off of me. It always wants to talk.

It’ll ask me the most random questions. Last night the spider asked me, “What would be your power look? When you think of yourself in the most confident light what would you be wearing?”

I didn’t know how to answer the question so the spider helped out and said, “I imagine myself in a well tailored suit, with a low cut button up blouse. And maybe the suit is powder pink and I’m standing in my most boss ass bitch pose. Really working the suit. What about you?”

I told the spider in a low whisper, “I’m tired, but I think when I imagine myself most confident I see myself in my own clothing like this beige dress I have and my see thru forever 21 top, and I’m wearing those big clunky heels over there. Or maybe I see myself in a ton of ruffles that cascade down into a dress, very femme. But I don’t know. I’m tired and you know how I hate spiders.”

The spider apologized and said, “fine fine I will leave you alone...also ruffles is a weird choice” and then the spider crawled away to let me sleep.

— Raque Ford

19.4.19 — 12.5.19

Cudelice Brazelton, Raque Ford, Lewis Hammond, Alexandria Tarver

Deli Gallery

'Fantastic Epiphany' by Malwine Stauss & Naiyun Yang at La Felce, Cologne

'Corporate values by Misha Gudwin at Supermetall, Moscow

'Ashes to Lashes, Dust to Lust', Group Show at GROVE, Berlin

'Victim of Cosmetics' by Claire Barrow in a repurposed office space, London

'Digital Anomalies' by Nicolás Lamas at FORM, Wageningen

'IT'S DIFFICULT TO EXPLAIN SO I STAY QUIET' by Lukas Glinkowski at Galería Fran R

'The place that can never be' by Anna Taganzeva at Plague Space, Krasnodar

'Chocolate Goblin' by Travis John Ficarra at Glasshouse, Victoria

'MILITARY POP', Group Show at Spas Setun, Moscow

TARGET GROUP SHOW, conceived by Hannes Schmidt at BRAUNSFELDER, Cologne

'DISTIRA' by Irati Inoriza at Galeria Fran Reus, Palma de Mallorca

'Underground Memorandum' by Richard Nikl at Shore, Vienna

'All Watched Over by Emissaries of Loving Grace' by Louis Morlæ at Duarte Sequeir

'itsanosofadog *It’s an arse of a dog' by Amanda Moström, Rose Easton, London

'Deceiving players' by Rimma Arslanov at KOENIG2 by_robbygreif, Vienna

'Sizzling Hot' by Rosa Lüders at 14a, Hamburg

'The Particular Matter of a Pisces Rug' by Kelly Kaczynski at Weatherproof, Chica

'L’oracolo' by Michele Cesaratto at MURKA, Florence

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