image text special shop

'A Musician’s Day', Group Show at Neighborhood Gallery, New York

A Musician's Day

An artist must regulate his life.  Here is my precise schedule.  I rise at 7:18; am inspired from 10:30 to 11:47.  I lunch at 12:11 and leave the table at 12:14.  A healthy horse-back ride on my property from 1:19 to 2:35.  Another round of inspiration from 3:12 to 4:07.

From 5:00 to 6:47 various occupations (fencing, reflection, immobility, visits, contemplation, dexterity, swimming, etc.) .

Dinner is served at 7:16 and finished at 7:20.  Afterwards from 8:09 to 9:59 symphonic readings out loud.

I go to bed regularly at 10:37.  Once a week I wake up with a start at 3:14 a.m. (Tuesdays.)

I eat only white foods: eggs, sugar, shredded bones, the fat of dead animals, rice, turnips, sausages in camphor, pastry, cheese (the white varieties) , cotton salad, and certain kinds of fish (skinned).

I boil my wine and drink it cold mixed with fuchsia juice.  I have a good appetite but never talk when eating for fear of strangling.

I breathe carefully (a little bit at a time) and dance very rarely.  When walking I hold my sides and look steadily behind me.

Being of serious demeanour, it is unintentional when I laugh.  I always apologize very affably.

I sleep with only one eye closed; I sleep very hard.  My bed is round with a hole for my head to go through.  Every hour a servant takes my temperature and gives me another.

For a long time I have subscribed for a fashion magazine.  I wear a white cap, white socks and a white vest.

My doctor has always told me to smoke.  He even explains himself:  "Smoke my friend.  Otherwise someone else will smoke in your place."  (Mémoires d'un amnésique.)

— Erik Satie

11.20 — 12.20

Abby Lloyd, Ana Bial, Janine Iversen, Júlia Brandão, KT Hickman, Marcy Cruthirds, Renee Delosh, Sophia Rauc

Neighborhood Gallery

'Meadowlands' by Max Capus and Mat Mancini at Paris London Hong Kong, Chicago

'CHARLES MANSON, TIMOTHY LEARY & THE RATS OF NIMH', Group Show at 4649 Gallery, T

'Fantastic Epiphany' by Malwine Stauss & Naiyun Yang at La Felce, Cologne

'Corporate values by Misha Gudwin at Supermetall, Moscow

'Ashes to Lashes, Dust to Lust', Group Show at GROVE, Berlin

'Victim of Cosmetics' by Claire Barrow in a repurposed office space, London

'Digital Anomalies' by Nicolás Lamas at FORM, Wageningen

'IT'S DIFFICULT TO EXPLAIN SO I STAY QUIET' by Lukas Glinkowski at Galería Fran R

'The place that can never be' by Anna Taganzeva at Plague Space, Krasnodar

'Chocolate Goblin' by Travis John Ficarra at Glasshouse, Victoria

'MILITARY POP', Group Show at Spas Setun, Moscow

TARGET GROUP SHOW, conceived by Hannes Schmidt at BRAUNSFELDER, Cologne

'DISTIRA' by Irati Inoriza at Galeria Fran Reus, Palma de Mallorca

'Underground Memorandum' by Richard Nikl at Shore, Vienna

'All Watched Over by Emissaries of Loving Grace' by Louis Morlæ at Duarte Sequeir

'itsanosofadog *It’s an arse of a dog' by Amanda Moström, Rose Easton, London

'Deceiving players' by Rimma Arslanov at KOENIG2 by_robbygreif, Vienna

'Sizzling Hot' by Rosa Lüders at 14a, Hamburg

Next Page