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'eddy', Group Show at M23, New York

You ought to lie in rivers or in ponds
As do the waterweeds which harbour pike.
The body grows light in the water. When your arm
Falls easily from water into sky
The little wind rocks it absentmindedly

[From “Of Swimming in Lakes and Rivers,” by Bertolt Brecht]

An eddy is a spiral, a small vortex, which spins counter to and disrupts the current. Against the great tides of the ocean, or the modest flow of a stream, eddies catch and confuse, addle and amaze. To Bertolt Brecht floating inverts our relationship to the real: we transcend gravity, we “fall into the sky.” Here we see works which similarly push against the currents of our material world, and in doing so call on us to suspend disbelief: in repurposing and recontextualizing media and materials from industrial, domestic, and nonhuman spaces the five artists represented here articulate the fragmented, yet poetic, nature of the present moment.

To those caught in the slipstream of material culture, these works are eddies in the face of capitalism’s incessant flows. Clare Koury’s works repurpose inconspicuous industrial fixtures, forcing a renegotiation of the body’s relationship to the hardware which characterizes banal interiors. Quay Quinn Wolf evokes an encounter with the domestic, but on closer look discomforts: his assemblage recontextualizes a hospital bed’s steel railing into a discursive grid, rendered banal—but not passive—on the gallery floor. In a beguilingly diaphanous sculpture, Daniel Klaas Beckwith probes the uncanny: his silk spider web directly questions our desire to look closely, to engage with the mundane. Vladislav Markov’s velour panels, a triptych and a pair of draped fabrics, harken to archaic textiles while bearing the mark of a futuristic symbolism. Tenant of Culture frames an abstracted quilt, stitched from fragments of handbags and discarded garments, yet retains traces of their origins—literally keeping the tags on, and in plain view.

Holly Bushman

10.12.20 — 24.1.21

Clare Koury, Daniel Klaas Beckwith, Quay Quinn Wolf, Tenant of Culture, Vladislav Markov

M23

'A Trip to Cockaigne' by Johanna Härkönen & Eetu Sihvonen at Titanik, Turku

'OLYMPIC HOPES' by Nikolay Georgiev at Spas Setun, Moscow

'The rain of chrysanthemums rotted into hay' by Timur Aloev at Holešovická Šachta

'Bucolic Gang' by Mónica Mays at Rupert, Vilnius

'The Chase' by Jürgen Baumann at Material, Zurich

'The Host' by Pakui Hardware at eastcontemporary, Milan

'Chlamydomonas Nivalis' by Alberto Tadiello at Umberto Di Marino Gallery, Napoli

'The Centre' by Patrick Cole and Dominic Watson at Kupfer, London

'Ghost Member: Prosthesis/ Symbiosis as a shelter' by Naomi Maury at L'Assaut de

'I show you the signs of life' by Alina Izmaylova at Kerka gallery, Saint-Petersb

'I Don't Want No Trouble' by Lucas Erin at All Stars, Lausanne

'The Grime and the Schmutz' by Béla Feldberg at Jo-Anne, Frankfurt am Main

'Night of Hinnā' by Monia Ben Hamouda at Bungalow, ChertLüdde, Berlin

'Getting Down to Business' by Rebecca Rothenborg at Galerie Roland Puschitz, Vien

'Why Me?' by Pietro Agostoni at Associazione Barriera, Turin

'Holloway - ‘Das Gift’ is a Gift' by Céline Struger at Loggia, Vienna

'Under the Moon' Group Show at Camp Eternal Hell Chamber, New York

'SUPER-NATURAL', Group Show at OLHÃO, São Paulo

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