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'Haptic House', a Group Show Curated by Penny Rafferty at HORSEANDPONY, Berlin

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Dennis Loesch, THE FENDIMENTS, THE KENZOPREME
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Leckhaus, La Polizia, 2018
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Isaac Penn, It’s the Shoes that Talk, 2017 / Zuzanna Czebatul, Within Meadows And Rolling Fields, 2016
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Jake Kent, Green Boot, 2018
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Claude Eigan, After 6 protoform #8 : C’s edition, 2018
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Zsófia Keresztes, Mask of a drawn battle, 2018 / Zuzanna Czebatul, Within Meadows And Rolling Fields, 2016
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Przemek Pyszczek, Supreme Krówki, 2016 / Zuzanna Czebatul, Within Meadows And Rolling Fields, 2016
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Monika Grabuschnigg, You’ve been everywhere but here, 2017
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Nuri Koerfer, Worm of the stones, 2018
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Rafal Zajko, HandWorks (RGB), 2018
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Nuri Koerfer, Insel, 2017
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Monika Grabuschnigg, You’ve been everywhere but here, 2017 / Claude Eigan, After 6 protoform #9 : Coffee break, 2018 / Claude Eigan, After 6 protoform #8 : C’s edition, 2018 / Maximilian Schmoetzer, Untitled (Medizini Poster Waldrappen), 2018
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Jonas Schoeneberg, N0 H0RIZ0N (from the series Fireflies), 2018 / Leckhaus, La Polizia, 2018
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Isaac Penn, It’s the Shoes that Talk, 2017
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Claude Eigan, After 6 protoform #8 : C’s edition, 2018 / Claude Eigan, After 6 protoform #9 : Coffee break, 2018
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Zsófia Keresztes, Mask of a drawn battle, 2018
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Jake Kent, Calendar for the year (2017, The Past), 2018 / Claude Eigan, After 6 protoform #8 : C’s edition, 2018
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Maximilian Schmoetzer, Untitled (Medizini Poster Waldrappen), 2018
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Installation view
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Monika Grabuschnigg, So it is a lover who bubbles and who foams, 2017
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GeoVanna Gonzalez, Keep down the blinds and fold (Featuring Monika Grabuschnigg, Holder 14), 2018
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Nuri Koerfer, Over Spiralling, 2017 / Kathy Acker and Alan Sondheim, Blue Tapes, 1972
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Monika Grabuschnigg, So it is a lover who bubbles and who foams, 2017
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Jake Kent, Calendar for the year (2018, The Present), 2018
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Rafal Zajko, HandWorks (RGB), 2018
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GeoVanna Gonzalez, Keep down the blinds and fold (Featuring Monika Grabuschnigg, Holder 14), 2018
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Kathy Acker and Alan Sondheim, Blue Tapes, 1972
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Jake Kent, All Plod is Twat, 2018
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Josefin Arnell, Champs, 2018
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Jake Kent. Cowboy (Stuffed Toy Prototype), 2018
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Przemek Pyszczek, Supreme Krówki, 2018
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Monika Grabuschnigg, So it is a lover who bubbles and who foams, 2017
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Jack Schneider, Altenbraker Str. 18, 12053 Berlin, Germany (Replica Habitat), 2018
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Installation view
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Installation view
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Jonas Schoeneberg, N0 H0RIZ0N (from the series Fireflies), 2018 / Leckhaus, La Polizia, 2018 / Jake Kent, Calendar for the year (2019,The Future), 2018 / Monika Grabuschnigg, So it is a lover who bubbles and who foams, 2017

I have tethered the bitter dream of you to a fat cell
And walked around the block completely naked

Swan Meat , Render/Trigger (2016)

Ian Curtis danced live for four years to the rhythm of his own bodily hauntology, a psychic scene that was composed of life beyond death via the frame of the stage. Without those adoring fearful eyes his body would have been left – reduced to a bedroom producer…but what is it about the bedroom that enables reverie over product.

Haptic House acts as a facilitative landscape for the works on show to become multi-functional, macro >< compact, and personalized versions specifically designed for the viewers. Haptic House neglects the common compositional gestures, rooted in the cannon of a formal art historical g(l)aze. The House instead welcomes you into an emotive subjecthood, allowing you to feel free to morph your view, graft, sample and remix the infinitum scale of overproduction. Please scale-up your emotional content. Archive yourself amongst these immortal, spacial beings – the exhibition, after all, is here to serve you.

Haptic House explores the concept of muse viewing rather than the designed gaze. Omitting the manners of the cube, in favour of becoming a radical landscape.

Fragmented we stand… and…

Oh, it’s a lonely world, I know Gon’ get a lonely girl, that’s fo’ sho’ Oh, I’m a lonely boy, she made a lonely boy, yeah, I know Oh, it’s a lonely world, I know Gon’ get a lonely girl, that’s fo’ sho’ Oh, I’m a lonely boy, she made a lonely boy, yeah, I know

Lil Peep, Cry Baby (1996-2017)

29.4.18 — 10.6.18

Kathy Acker, Josefin Arnell, Zuzanna Czebatul, Claude Eigan, Monika Grabuschnigg, GeoVanna Gonzalez, Zsófia Keresztes, Leckhaus, Dennis Loesch, Jake Kent, Nuri Koerfer, Florian Oellers, Isaac Penn, Przemek Pyszczek, Jack Schneider, Maximilian Schmoetzer, Jonas Schoeneberg, Alan Sondheim, Rafal Zajko

All images from Florian Oellers, Capturing Haptic House

HORSEANDPONY

'Extra Medium' by Vladislav Markov at Spazio ORR, Brescia

'Her Own Devices' by Laurie Kang at Franz Kaka, Toronto

'THE MOUTH OF THE GIFTED HORSE' by Wisrah Villefort at Goswell Road, Paris

'FRESH' by Rune Bering and Kevin Josias at Tableau, Copenhagen

Armen Avanessian: ‘So let us ask, why we still call this a capitalist world?’

'Dream again of better Generationenvertrag' by Niklas Taleb at Lucas Hirsch, Duss

'TOYS' by Jascha Schieche at FONDA, Leipzig

'YOU ARE HERE' by Linda Lerseth at Podium, Oslo

'Space Almond Head Void' by Sasha Auerbakh at GOMO, Vienna

'UwU' by Tea Strazicic at ung5, Cologne

'Friends Objects' by Helin Alas at Loggia, Munich

'Talent Didn’t Bring Me Here' by Günther Möbius at BPA Space, Cologne

'P**** B**** ARENA' by Isabelle Frances McGuire at Good Weather (Hosted by Et al.

'Flat Tire' by Janis Dzirnieks at Robert Fruinstraat 56, Rotterdam

'Sheets of Past and Layers of Reality', a Group Show at Hoib, Tallinn

Garden Cult Triennale, Chapter I: Sopot, Poland

'踢館 Tek Kwun' at Tai Kwun Centre for Heritage and Arts, Hong Kong

'Theological Time, Mean Landscape, Circumcision Throne, Burping Bird, Auto-censur

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