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'Haptic House', a Group Show Curated by Penny Rafferty at HORSEANDPONY, Berlin

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Dennis Loesch, THE FENDIMENTS, THE KENZOPREME
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Leckhaus, La Polizia, 2018
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Isaac Penn, It’s the Shoes that Talk, 2017 / Zuzanna Czebatul, Within Meadows And Rolling Fields, 2016
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Jake Kent, Green Boot, 2018
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Claude Eigan, After 6 protoform #8 : C’s edition, 2018
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Zsófia Keresztes, Mask of a drawn battle, 2018 / Zuzanna Czebatul, Within Meadows And Rolling Fields, 2016
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Przemek Pyszczek, Supreme Krówki, 2016 / Zuzanna Czebatul, Within Meadows And Rolling Fields, 2016
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Monika Grabuschnigg, You’ve been everywhere but here, 2017
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Nuri Koerfer, Worm of the stones, 2018
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Rafal Zajko, HandWorks (RGB), 2018
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Nuri Koerfer, Insel, 2017
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Monika Grabuschnigg, You’ve been everywhere but here, 2017 / Claude Eigan, After 6 protoform #9 : Coffee break, 2018 / Claude Eigan, After 6 protoform #8 : C’s edition, 2018 / Maximilian Schmoetzer, Untitled (Medizini Poster Waldrappen), 2018
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Jonas Schoeneberg, N0 H0RIZ0N (from the series Fireflies), 2018 / Leckhaus, La Polizia, 2018
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Isaac Penn, It’s the Shoes that Talk, 2017
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Claude Eigan, After 6 protoform #8 : C’s edition, 2018 / Claude Eigan, After 6 protoform #9 : Coffee break, 2018
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Zsófia Keresztes, Mask of a drawn battle, 2018
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Jake Kent, Calendar for the year (2017, The Past), 2018 / Claude Eigan, After 6 protoform #8 : C’s edition, 2018
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Maximilian Schmoetzer, Untitled (Medizini Poster Waldrappen), 2018
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Installation view
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Monika Grabuschnigg, So it is a lover who bubbles and who foams, 2017
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GeoVanna Gonzalez, Keep down the blinds and fold (Featuring Monika Grabuschnigg, Holder 14), 2018
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Nuri Koerfer, Over Spiralling, 2017 / Kathy Acker and Alan Sondheim, Blue Tapes, 1972
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Monika Grabuschnigg, So it is a lover who bubbles and who foams, 2017
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Jake Kent, Calendar for the year (2018, The Present), 2018
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Rafal Zajko, HandWorks (RGB), 2018
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GeoVanna Gonzalez, Keep down the blinds and fold (Featuring Monika Grabuschnigg, Holder 14), 2018
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Kathy Acker and Alan Sondheim, Blue Tapes, 1972
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Jake Kent, All Plod is Twat, 2018
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Josefin Arnell, Champs, 2018
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Jake Kent. Cowboy (Stuffed Toy Prototype), 2018
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Przemek Pyszczek, Supreme Krówki, 2018
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Monika Grabuschnigg, So it is a lover who bubbles and who foams, 2017
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Jack Schneider, Altenbraker Str. 18, 12053 Berlin, Germany (Replica Habitat), 2018
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Installation view
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Installation view
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Jonas Schoeneberg, N0 H0RIZ0N (from the series Fireflies), 2018 / Leckhaus, La Polizia, 2018 / Jake Kent, Calendar for the year (2019,The Future), 2018 / Monika Grabuschnigg, So it is a lover who bubbles and who foams, 2017

I have tethered the bitter dream of you to a fat cell
And walked around the block completely naked

Swan Meat , Render/Trigger (2016)

Ian Curtis danced live for four years to the rhythm of his own bodily hauntology, a psychic scene that was composed of life beyond death via the frame of the stage. Without those adoring fearful eyes his body would have been left – reduced to a bedroom producer…but what is it about the bedroom that enables reverie over product.

Haptic House acts as a facilitative landscape for the works on show to become multi-functional, macro >< compact, and personalized versions specifically designed for the viewers. Haptic House neglects the common compositional gestures, rooted in the cannon of a formal art historical g(l)aze. The House instead welcomes you into an emotive subjecthood, allowing you to feel free to morph your view, graft, sample and remix the infinitum scale of overproduction. Please scale-up your emotional content. Archive yourself amongst these immortal, spacial beings – the exhibition, after all, is here to serve you.

Haptic House explores the concept of muse viewing rather than the designed gaze. Omitting the manners of the cube, in favour of becoming a radical landscape.

Fragmented we stand… and…

Oh, it’s a lonely world, I know Gon’ get a lonely girl, that’s fo’ sho’ Oh, I’m a lonely boy, she made a lonely boy, yeah, I know Oh, it’s a lonely world, I know Gon’ get a lonely girl, that’s fo’ sho’ Oh, I’m a lonely boy, she made a lonely boy, yeah, I know

Lil Peep, Cry Baby (1996-2017)

29.4.18 — 10.6.18

Kathy Acker, Josefin Arnell, Zuzanna Czebatul, Claude Eigan, Monika Grabuschnigg, GeoVanna Gonzalez, Zsófia Keresztes, Leckhaus, Dennis Loesch, Jake Kent, Nuri Koerfer, Florian Oellers, Isaac Penn, Przemek Pyszczek, Jack Schneider, Maximilian Schmoetzer, Jonas Schoeneberg, Alan Sondheim, Rafal Zajko

All images from Florian Oellers, Capturing Haptic House

HORSEANDPONY

'Boreal Throne', Off-Site Group Project at Smena, Kazan

'BUZZ' by Karina Mendreczky, Katalin Kortmann Járay at FKSE Studio of Young Artis

'Dieu' by Mélanie Matranga at High Art, Paris

'Fantasy Lands' by Maggie Dunlap & Allan Gardner at Collective Ending, London

'Dead Season' by Vitaly Bezpalov & Karina Azizova at Spas Setun, Moscow

'Duru Duru' by Stefano Serusi at Galleria Arrivada, Milan

'Ø' by Andrea Nacciarriti at DISPLAY, Parma

'Vore' by Jenkin van Zyl at Rose Easton, London

'Bigag & The Bando' by Theodor Nymark at aaaa Nordhavn, Copenhagen

'Mitla' by Andy Medina at Estrella Gallery, New York

'INSIDE OUT' by Poupak Sarah Shoughi at Herrretics, Derbyshire

'LIBERTY' by Débora Delmar at GALLLERIA PÌU, Bologna

'HEARTH' by Liam Denny at Greenhouse Off-Site, Melbourne

'CANDALÙ' by Rachele Maistrello at Almanac, Turin

'Thought-Forms' by Andy Ralph Presented by Final Hot Desert, Nephi, Utah

'The Laws Of Hospitality' by Travis John Ficarra at Lindberg Galleries, Melbourne

'Firmament' by Aaron Christopher Rees at NAP Contemporary, Mildura

'Take The Day Out In Baskets', Group Show at St. Chads, London

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